A Quote by Chris Messina

I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played. — © Chris Messina
I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I don't claim to be some Aaron Sorkin expert, but it is like a Camelot. His shows are a place where people are trying to reach their highest potential. And I think we miss that sometimes. If I got a chance to do 'The Newsroom,' I would have done it yesterday.
You relax within the verse. You realize the structure of the verse and relax into it. It's like swimming. Or riding a bike. You can't make it sound real if you are thinking it through as you go. You can't think through Shakespeare, you have to speak it. And listen to the rhythm of it and then it takes you over. And to make it sound real you speak as if you believe it. Don't act it. Just be it.
I don't think Aaron Sorkin can write a character who isn't really funny.
There were two auditions for 'The Social Network,' one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, 'Okay, how do I hold the paper without my hands making it shake?'
There were two auditions for The Social Network, one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, Okay, how do I hold the paper without my hands making it shake?
'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.
I feel like I've had a number of roles in suits, which is hilarious to the people who know me, because it couldn't be further from who I am and what I wear. I think that Aaron Sorkin is, to a certain extent, responsible.
Every creator sets up their world differently. That's what's so amazing about someone like Aaron Sorkin and his writing.
All of Aaron Sorkin's characters are so smart.
I hate it when it is all about the twist and when the ending comes out of nowhere. I think you should be surprised and shocked, but you should also think, 'Damn, I should have seen it,' because there are clues all the way through.
I always say that you should just listen to it and see what you think it sounds like it is. I don't think it should be labeled. Most musicians feel like that. No one wants to put their music in a category. But, I don't think it's all over the place. I don't go from metal to jazz, or anything crazy.
I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good.
I like films that don't have that unonimity of a response; that don't have consensus in the audience. What it is essentially for me is that if you go back and watch the film a second time, do you feel that you've been played fair with? Are all the clues in place? Indeed, sometimes these things are even overstated. Specifically, for that reason.
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
I am lucky enough to have Aaron Sorkin write what I have to say.
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