A Quote by Chris Noth
It's over. The franchise is dead. The press killed it. Your magazine f**king killed it. New York Magazine. It's like all the critics got together and said, 'This franchise must die.' Because they all had the exact same review. It's like they didn't see the movie. Got any more gum?
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When I was approached to be the 'Bachelorette,' I was like, 'Uh, no. I don't think I can do this again.' It was conversations that I had with people that said, 'I'm so happy to see a Black woman represented well in a franchise, or 'I'm watching this show again because you did it,' that renewed my wanting to be part of this franchise.
But then when I'm in a halfway successful movie, it irritates the hell out of the critics in New York, because they'd like to kill my pictures if they could. So maybe I'm pretty good in the movie. Then they use all these words like I'm 'surprisingly' good, or 'shockingly enough,' I'm good. It's like I crawled out from under a magazine and they're surprised I can act.
After the first one [Twilight], people started referring to it as a franchise, but a franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. They love it when something becomes a franchise. But, as an actor, I think it's scary.
After the first one [Twilight Saga movie], as soon as people start referring to something as a franchise. A franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. That's how they refer to it. They love it when something has become a franchise. But, as an actor, I think it's scary.
Some of the French surrealists at the beginning of the war had come over to New York and they brought out this magazine. It was a big, glossy magazine full of surrealist things.
This new crop of actors, they're larger than life people. I don't think that this generation has the same following that the last one had. You don't say "you've got to see his movie, you've got to see her movie" any more.
The first review our band ever got - when I was 17 years old and we had just released our first EP, and this tiny little magazine wrote a review on it, and for that month, we were the best album of the month, and we were also the worst album of the month. We won best and worst album of the month in the same magazine.
On those occasions when he had killed in the dark, he later needed to see his victims' faces because, in some unlit corner of his heart, he half expected to find his own face looking up at him, ice-white and dead-eyed. "Deep down," the dream-victim had said, "You know that you're already dead yourself, burnt out inside. You realize that you have far more in common with your victims after you've killed them than before.
There is no way you're going to have an event like 9/11 and expect things to remain the same. They killed 3,000 people in New York on that day, and if they could have they would've killed 300,000.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I had done 'Die Hard' and it was somebody's franchise. I actually just got done with the 'Hawaii Five-O' pilot and I was developing some things of my own. So 'Total Recall' one of those projects that I read wanting more not to like it.
At an early age I discovered the beauty in pictures in 'Vogue' magazine and Ebony magazine, and I would read 'The New York Times.' I had to make my own world within my world because I was an only child.
If God had meant Harvard professors to appear in People magazine, She wouldn't have invented The New York Review of Books.
I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
Along with my peers, I gripe about the increasing number of superhero films, and I'm sad that so many critics so uncritically use words like franchise, which should be reserved for your local Burger King.
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