A Quote by Chris Pavone
At home, I tend to read print, and most of the time, that means recently released hardcover novels. I enjoy the feel of paper and board; I like turning pages, dog-earing my spot, jotting notes in the back.
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From the time I began to read, as a child, I loved to feel their heft in my hand and the warm spot caused by their intimate weight in my lap; I loved the crisp whisper of a page turning, the musky odor of old paper and the sharp inky whiff of new pages. Leather bindings sent me into ecstasy. I even loved to gaze at a closed book and daydream about the possibilities inside.
I hate reading digital books. I don't enjoy the experience. I like smelling the paper, turning the pages. I think the book as we've always known it is an efficient technology.
When I had no money, and a great book came out, I couldn't get it. I had to wait. I love the idea that I have hardcover books here and at home that I haven't read yet. That's how I view that I'm rich. I have hardcover books I may never read.
Print will never die. There's no substitute for the feel of an actual book. I adore physically turning pages, and being able to underline passages and not worrying about dropping them in the bath or running out of power. I also find print books objects of beauty.
The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
I read novels for entertainment rather than for edification, so I tend not to read the sort of novels that are said to illuminate the human condition.
I always thought that digital first was a simplistic notion, and I am not even sure quite what it means. It should be stories first. Let's take the Paris story: the New York Times covered it all day, we held nothing back. Everything we learned, we published online. Then, when you approach your print deadline, you have to do two things. You have to polish those stories that are online because print is less forgiving of mistakes. Secondly, in an ideal world, you pick one thing that will feel fresh and compelling to people in the morning when they pick up the print paper.
Having your book edited is like watching your cat being operated on. It's uncomfortable and someone is probably going to get hurt. Most likely the cat. But in the end, things work out for the best and your cat is better it. And then your cat gets released in hardcover, and you have to read all of his reviews.
I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
My weak spot is that I don't like analyzing so I tend to be a bit lazy; I tend to get bored quickly, which means I must be boring.
When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it
I have to admit that I am really partial to the look and feel of a book. I have been that way my entire life. I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
Time passes slowly. Nobody says a word, everyone lost in quiet reading. One person sits at a desk jotting down notes, but the rest are sitting there silently, not moving, totally absorbed. Just like me.
Like flies in amber, like corpses frozen in in ice, that which according to the laws of nature should pass away is by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head.
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