A Quote by Chris Parnell
One of the first exercises we did in acting class my freshman year was to stand in two rows, two lines facing each other as a class, and just make sounds and move in some completely nonsensical way out into the center of the room. Sort of make an idiot out of yourself, essentially, but to be okay with that.
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I really started dreaming... and broke out of my shyness when I got to Howard University. My first acting class was an Intro to Acting class with Professor Bay, who really broke me out of my shell, encouraged me to follow my dreams and make them a reality.
I did this class when I first moved to California. It was a 'Kids on Camera' class up in the Bay Area. That was good for just getting me excited in acting and everything. Then once I started working down L.A., I just stuck to my acting coach, and she helps me prepare with auditions and that sort of thing.
In my freshman year of college, when a male professor asked the class, "Who here identifies as a feminist?" Only one girl raised her hand, and the rest of us just sat there. He basically just shamed us for the rest of the class?? - ??in a constructive way. He went around the room and said to each girl, "Why didn't you raise your hand? Feminism means men and women deserve the same rights, and that the balance in the world is currently tilted in men's favour.
The working class of England today have no vision of society beyond the acquisitive - no version of themselves or their habits as anything other than transitional, on their way up or on their way out. The working class, at best, is a waiting room for people who aim to become middle class if possible.
I took my first acting class at age 6 because I found out that's what Carol Burnett was doing - acting. Also she had an imaginary friend as a kid and went to UCLA, two things we have in common. I will always admire her and hope one day, I can make someone laugh a fraction as hard as she's made me bellyache.
It's exciting having a student who is not used to expressing their emotional side and bringing that out in them and see that developing and helping to nurture that. That's an exciting thing. In a class of fifteen there are usually two very good writers, equal to good student writers anywhere in the country. Those two make the class wonderful.
For the first time [with the Bible] - I know this sounds so corny - but I knew love. I had such an empty love tank. I had all the questions to life that didn't make sense. Two and two didn't add up to four. From my father's death - if you loved me, why did you leave me? Why did you kill yourself? And so when this happened, it took my life in a completely different direction.
If I could have somehow been the kind of artist who could crank out two or three issues a year, that's different. That's sort of what it's all about, to get this thing out so that there's some kind of continuity. But to do a comic book every year or two was just so anti-climactic.
First time you hear something, it sounds outlandish and broken and like it doesn't make sense. But once it's been in your head awhile it's as if the other thoughts in there wriggle out of the way to give it some room.
It was my freshman year. I was living across the hall from a girl named Kasey Klepper, whose brother, Jordan Klepper, used to be a big part of Kalamazoo's improv team. Kasey took me to see one of their shows, and my face melted off. I thought, I need to do this... I auditioned, but didn't make the team. So, I took my first acting class, and it opened my eyes to a whole new world. I'd always been interested in performing on some level, but now, I was going to do it. I tried out again and got onto the team, and from then on, I was sucked into the whole theater scene.
Our epoch, the epoch of the bourgeoisie, posses however, this distinctive feature; it has simplified the class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other.
What you learn in any acting class is how to make a fool of yourself and enjoy things and get out of your head.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
I failed every class up until I dropped out freshman year.
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