A Quote by Chris Pratt
Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
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When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
I like to do from racing my radio control cars to doing work at the zoo to poems to the TV show. There are a lot of things that I like to involve myself with, but I have a pretty packed schedule nine times out of ten. I have a good sense of working things in at the same time so that I can get all my hobbies in line.
Work addiction seems to be an addiction we are proud of. We almost seem to brag with mock displeasure that we are "overwhelmed" with busyness, sometimes as an excuse for not really being able to do what we really want to be doing. Work addiction is a symptom not of working your brains out but of your brain working you out. Why are you doing what you're doing for a career and how do you like doing it? Do you like your answer?
When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.
When you are not working in TV and primarily doing film, you're working with one director for a long period of time, so getting to work with 12 different directors in the span of six months is incredible.
You just do you like when you're doing any other song. It's nothing different. Some people are like "How's it like working with Kendrick Lamar?" and really, it's like working with anyone else that I work with.
In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.
Sometimes I would go home from work and just stare at the wall for a couple of hours. But, I can't complain. Whatever knocks you out working is the kind of work that I want to be doing because it's always those challenges that are the most exciting, and the things I hope to get to keep doing in my work.
When you're working on a television show with actors, what you hope you're doing is playing jazz with them all the time. You see what they're giving you, so you try to write back to that, and then they play with that, and you get a sense of what is going on. That's just a natural way in which TV series usually work.
I like working in television because it's an evolving story that you tell. That's also one of the things I don't like about it, too. Because sometimes it's hard, and just when I think I've nailed something, it changes or we have to change it or change the joke or the character is evolving in a way that I don't have control over.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
One of the things I love about doing television is that I don't feel like I'm just purely a writer. I like all of the opportunities television affords to kind of build a brand that can work across platforms, so I'm not just solely at my computer in my pajamas all day.
When you work in front of the people, either in a film or in television, the people who are in the room with you are not watching you work, they're working so you'd have to light a fire to get them to watch what you were doing.
I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.
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