A Quote by Chris Roberson
So many of the fantasy stories I encountered growing up were set in worlds that were largely modelled on medieval Europe in one way or another. Lots of white folks in feudal societies, castles and kings, that kind of thing.
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I've had lots of ideas. For example, I had the idea of making a small version of the Vatican's dome. I also got ideas from medieval castles - I've mixed medieval castles with the Romanesque style.
There are some examples of medieval kings who were terrible human beings but were nevertheless good kings.
Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .
There were others, women with stories that were told in a quieter voice: women who hid Jewish children in their homes, putting themselves directly in harm's way to save others. Too many of them paid a terrible, unimaginable price for their heroism. And like so many women in wartime, they were largely forgotten after the war's end.There were no parades for them, very few medals, and almost no mention in the history books.
I love the standard fantasy setting of Medieval England and Medieval Europe, but I wanted to go somewhere different.
The tabloid that said that I dressed up as a medieval, like a sexy medieval something and that upset me more than the dating rumors that have been circling around that were fake. If somebody thinks I'm going to dress sexy to a costume party, they have another thing coming.
The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.
Alice and I, we'd met before, but we were able to kind of sit and chat on the set of Dark Shadows, and talk about maybe writing some songs together. We started doing that, and then one thing led to another and it became this Vampire project - because he was telling stories about all those days, which were fascinating.
American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.
A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
People don't want lots and lots of single purpose devices. They do not want to have to learn how to set up something for photos, another thing for music, another thing for video.
There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
Growing up and walking around the supermarket, lollies were the thing that gave me that kind of kick, and you'd expect lots of them. It would be that or a pack of cake mix which got me into food.
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
When I was growing up, our nation was partitioned: Blacks were segregated by law in the South and largely by custom in the North, though it, too, had segregation laws. Our best universities had quota systems. Many white communities had real estate covenants to keep nonwhites out.
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