A Quote by Chris Smalling

I quite like being aggressive and horrible which gives you more confidence to dictate over strikers and to make them feel they have had a frustrating game when they've walked off the pitch, feeling very down.
I just wish I had longer. It's very frustrating. As you know, to people over here, cities like [Washington] D.C. are iconic. We know them so well. It's very frustrating to be in one of them for 36 hours and have a show to do because you can't really do anything.
Being able to get some games under my belt and feeling the confidence of the gaffer is something very important to me. That way I feel good on the pitch.
The more I'm aggressive, the better off we're going to be. I have to take that into consideration every game to make it a point to be aggressive.
Brazil needs a player like Neymar at his best on the pitch because Neymar on the pitch gives more confidence to the other players.
Dogmatic religion has been used to fantastic effect over thousands of years to fuel and exploit emotions like fear and guilt, and the feeling of being 'unworthy'. This has encouraged people to hand over their right to think and feel to a Bible and a priest because they have not had the confidence or self-belief to realize that they have a right, and an infinite gift, to make their own decisions
I have not been aggressive in my pursuit of being a star. I've never had a plan. Maybe I need to be more aggressive, because it's quite tough!
I'm feeling better after the game than I did when I came off the floor with cramps. ... I was going to try to give it a go, and 'Spo said 'No.' You know, after I came out of the game, they kind of took off. And it was frustrating sitting out and not being able to help the team.
Not playing is frustrating; you want to play in every game. But it's the life of a keeper. You'd rather be on the pitch than off.
Every tournament and every international game played gives you additional experience which brings you forward, both on the pitch and off it, but there is nothing more special than playing a World Cup on home soil.
I think there's a lot of trust in being selectively aggressive I guess. Looking for your pitch you can drive, but not swinging if it's not there and not worrying about, 'Oh no, I'm down 0-2.' I feel as comfortable as I do at 0-0. I don't know.
There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you're auditioning for them, every day, and that's a terrible feeling on the set.
It's very important to go pitch-by-pitch and game-by-game and not getting too far ahead of myself. In the past, it was trying to make up for a bad game and thinking ahead and what do I have to do to fix this.
When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
I feel that I am much freer if I'm on my own, but I'm sure that there are a lot of painters who would perhaps be even more inventive if they had people round them... I find that if I am on my own I can allow the paint to dictate to me. So the images that I'm putting down on the canvas dictate the thing to me and it gradually builds up and comes along.
In silent movies, they tended to put the camera down, and everybody walked in front of it and acted, and then they all walked off. Cutting was quite infrequent.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
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