A Quote by Chris Stapleton
I get tired of people trying to dog out the radio for not playing this or that. There are lots of people who like what they play - otherwise, they wouldn't play it.
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The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
It's nice to have video play, radio play but as long as I can work my virals on the Internet, or yet get it out to where people hear it and can see it anytime, I'm cool.
I love doing comedy, and I don't get a chance to much. I get to play lots of serious people, and killers, and people with a lot of... sheriffs. Good people and bad people, but lots of drama, and to get a chance to be genuinely silly is a great treat for me.
I would really like to play someone contemporary, as I've done lots of period pieces. I would love to play an American bimbo or a grimy Londoner. But I'm probably more suited in people's minds to playing a corseted victim.
We hadn't heard anything about registering to vote because when you see this flat land in here, when the people would get out of the fields, if they had a radio, they'd be too tired to play it. So we didn't know what was going on in the rest of the state, even, much less in other places.
Sometimes, you're on the field, you get tired. If I'm not playing as hard on play 66 as I was on play number 1, then... come on.
If everybody'd agree to quit using money, I'd be happy to play for free every day for awhile. But I don't play benefits or any kind of fund-raisers. I prefer to play at hospitals, for people who otherwise can't see us. But I can't see playing for causes, whatever the cause may be.
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.
The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.'
That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.
I mostly play my dynasty or against someone in the hotel. I don't really like online games. I can't stand people yelling in my ear over a headset. I'd rather just play someone like Dwight Howard out in Orlando or people back home. For games like that, it's cool, but just signing on and playing random people, I hate it.
There are more people that are WORTH playing for and making records for than the fickle and casual - they just don't blog about what they hate as much. I feel like every show that we play live reminds me of why I play music. When you're away from that personal connection, you can get wound up in all the hoo-ha about this and that, but when you get out there and connect with people, you can't help but be moved, and that keeps you going at least until the next show!
Sometimes, I, anyway, get tired of playing defence, and like to play offence.
Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.
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