A Quote by Chris Stapleton

You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that. — © Chris Stapleton
You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that.
We always try to make the very best movie when we're working on and we can only think one at a time. We want to make this a perfect jewel, and then we'll see what happens after that.
You just make the best movie you can and hope for the best, because you don't have any control over what happens with the movie, whether the movie is misinterpreted.
I'm one of them guys that tries to make everything the best of the best, so sometimes I'm out of control with it. I'm just gonna use every feature to make me outrageous - the best.
I've done four records now, and your idea of what it's going to be for that record is never what it ends up being, so there's cynicism in my outlook but there's also some positive outlook in it, like, "I can't really control anything outside of what it is that I do, so I'm going to do my very best and put my best foot forward in everything that I do." The music and whatever else comes outside of that, if something great comes out of it, awesome, if not, I'm going to make another record and another one after that. That's really all I can do.
I think that is when guys are at their best: when you put pressure and have something to work towards and have something to compare yourself to or try to best them, it really does make you better.
You can't reinvent the wheel. You've got to just take the best from all the other shows and try to make it work, because there's the "live show Gods" that dictate if there are going to be any surprises, if there's a very commercial film that's a Best Picture. There are a lot of things that are out of my control, but I do my best.
All you can do is make something that you like and feel proud of and then just hope for the best and try to get out of its way.
There's really no difference between what I do and what a male filmmaker might do. I mean we all try to make our days, we all try to give the best performances we can, we try to make our budget, we try to make the best movie we possibly can.
I always try and do my best and put out the best and find the best in me, as well. But I'm not thinking about it beforehand.
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
Charge forward with hope and get the best medical advice you can. Talk to your friends, neighbors, family, and together you attack it. We can't always control what happens to us, but we can always control how we react to it.
I'm tryna put out the right stuff and just do me and not pay attention to who's hating and who's loving me and make the music I love to make, and make it the best I can.
At the end of the day, I just like to make the best music that I can make and put it out to the world and see how they respond to it.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
Obviously I try to make the best music that I can, but after about two years of making an album, you start to worry: 'Is it going to come out all right? Is it all going to sound churned out?'
Just put your best foot forward and hope for the best. You also have to acknowledge that you're going to make mistakes.
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