A Quote by Chris Thile
If you're sitting there going, 'Well, these particular genres are the only genres I like,' that's like saying, 'I only like books with this particular kind of cover.' Because that's all genre is. It's a discussion of texture.
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Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.
I don't like rock. Honestly, I like to listen to it, but it's not for me. There's a lot of musical genres that I find interesting, but they don't suit me. It's one thing to listen to different genres, but to perform a genre that isn't yours is counterproductive.
It all comes down to what is best for those particular genres, and if you believe in the stories that you're telling and the characters that you like that you want to tell those stories with, you can pretty much apply it to any genre.
I should say that I'm not conscious of any particular style or any particular literary device when I am writing. I have written 22 books, and they are all very different. I have tried all kinds of genres.
The important thing for me is, and what I'd like people to know is that, one particular genre does not make it whole. There are many, many different genres and if you ever gave it an opportunity open mindedly, I think you'd find some pretty interesting things there.
I don't look for anything in particular, like a particular genre. It's all very much to do with the quality of the script and the character as well.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
I like the idea of working in different genres and transcending genres and hopefully finding success, and ultimately make movies people like.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
Horror I appreciate is one of the few genres that can wind the audience up and make them pay attention. I kind of like that. It's one of the few genres that can be very manipulative.
I like being able to do anything. I think that's healthy, doing anything and everything, rather than just getting completely obsessed with one particular genre or particular kind of work.
There's a plethora of genres that I've been introduced to, but that's only because of the foundation that was laid growing up in New Orleans. I know it's a cliche thing to say, but it's very gumbo-like. You get that here. You can mix well with all different walks of life. That's what New Orleans is. It's like no other place.
I don't gravitate toward any particular genre. I like to do things that interest me, regardless of genre. I've had a blast doing Cosmos, and I'm said that it's coming to an end. I would like to do something else like that.
Justin Vernon is one of the collaborators Kanye will always go to. He doesn't fit in with any genres - you never know if he's gonna sing, like, the Bee Gees or some crazy, distorted thing. And you don't know what he's saying half the time. He's kind of like Michael McDonald, like he's got marbles in his mouth.
Bunglers and pedants judge art according to genre; they approve of this and dismiss that genre, but instead of genres, the open-minded connoisseur appreciates only individual works.
Artists are creating their own genre sound, and other artists are building upon that sound and already creating a huge subculture created around one particular sound created by one artist. So, with all that happening, the genres are going to break down, and there's going to be a multitude of sound coming out.
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