A Quote by Chris Thile
The great musics of the world are great for very similar structural reasons: good melody, good harmony, and a balance of feminine and masculine energy.
Related Quotes
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
There's a balance of feminine and masculine energy. Unfortunately, it's an imbalanced world because of the people that are in charge, and that's egotistical men.
The Pentacle - The ancients envisioned their world in two halves - masculine and feminine. Their gods and goddesses worked to keep a balance of power. Yin and Yang. When male and female were balanced, there was harmony in the world. When they were unbalanced there was chaos.
I really try to balance my feminine and masculine energy when I write.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
Good is the enemy of great. And that is one of the key reasons why we have so little that becomes great. We don't have great schools, principally because we have good schools. We don't have great government, principally because we have good government. Few people attain great lives, in large part because it is just so easy to settle for a good life.
The material world is all feminine. The feminine engergy makes the non-manifest, manifest. So even men (are of the feminine energy). We have to relinquish our ideas of gender in the conventional sense. This has nothing to do with gender, it has to do with energy. So feminine energy is what creates and allows anything which is non-manifest, like an idea, to come into form, into being, to be born. All that we experience in the world around us, absolutely everything (is feminine energy). The only way that anything exists is through the feminine force.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
What I love about lyrics is that they don't have to be very complicated. A good sentence over a great chord with a good melody - all you need is that one moment.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
Jack Del Rio and myself are very similar except he's really good looking and was a great player. Other than that, we're very similar.
We need more balance in the world - more balance of the feminine and the masculine.
Melodies are very important in a song. Having a great melody and a great hook. That's what I would always come up with a great melody and that's important.
You can get too heavy on the masculine side of things with all of the action, but then we've got a really nice balance going on when you go home and look at the wives' story lines and what's going on on the home front. I think people really respond to that balance of masculine and feminine.
As a writer, I find it very satisfying when a lyric suddenly ties together more neatly than you expected it to. But for the listener, hearing a good lyric is not generally as exciting as hearing a great beat or a great riff or a great melody or even a distinctive singing voice for the first time.
Bill Clinton was a very, very good speaker. But like many people who are great speakers and great thinkers and have a lot of energy and ambition, he talked too much.
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