A Quote by Chris Harrison
I always say 'The Bachelor' doesn't create and drive social issues. We're a microcosm of what's happening in the world.
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I don't know if I even consider myself a very political person. I have always had strong beliefs on important social issues. Politics have politicized social issues, but I don't know if social issues are in fact political. If anything, they are more human issues than they are political issues.
San Francisco is the microcosm for what's happening all over the world.
The Bachelor' has always been a great show that embraces what's happening in the world and embraces pop culture.
I love how close you are to current affairs and social issues here in England. Out in L.A., you have to make an effort to look outside that little microcosm. It's almost like it's a virtual reality to imagine a problem there.
There are always groups on campus that are doing amazing things. I know when I was in college, I was a student at the University of Arizona, working on my bachelor's in history, and I got involved with a number of different groups that were connected to different social justice issues that I cared about.
I'm trying to use Palestine as a microcosm of the world, but maybe the world is a microcosm of Palestine. We're living in a moment that has lost attachment to the ideology behind boundaries.
It is now clear to me that the family is a microcosm of the world. To understand the world, we can study the family: issues such as power, intimacy, autonomy, trust, and communication skills are vital parts underlying how we live in the world. To change the world is to change the family.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
There is always this interesting relationship we have with technology. When we invented writing Socrates used to say it was going to rot our brains because we were going to write everything down and not have to remember anything, and so it would atrophy our brains. So there has always been this human drive on the one hand to create tools, to create technologies to overcome our boundaries, but then there is always this reservation, and this fear that say these technologies are somehow unnatural and it is against nature to partake in them.
What we see today is a world movement represented by the World Social Forum, involving all sorts of interactions across cultures, not to create some new "ism," but to learn as we walk and to create more democratic forms of social organization that re-embed economic life in community.
When our band took off, we were all in this microcosm of a hurricane or whatever it was. It was a crazy, crazy dream come true with nightmares floating around it, and all sorts of stuff was happening, and my Crohn's was happening.
I think there's so many things happening, whether it's gender inequality or immigration, there's just so many issues happening around the world where not doing anything makes you guilty.
The Tea Party we were told is only about economics; not true. It was always about economics and social issues. They just hid the social issues and now we just see who they really are.
I pour my blood, sweat, and tears into a movie. What I always look for is a message and a social consciousness: a relevance to what's happening in our world.
For me, it's important to get back to fundamentally what it feels like to be an American. We all come from different backgrounds, but we come together and create this world. It's like a microcosm for the rest of the world. I want people to feel unity when they come to a show.
I loved comics for a long time, loved the medium, and I love where comics are going. It's on the forefront of social issues, and there's no production value limit, so you can create an entire world. As long as you can visualize it, you can make it a reality.
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