A Quote by Chris Chibnall
The extraordinary thing in all the versions of 'Camelot' and the Arthurian legend is that it's all about the romance and the passion. It's all about great ideals compromised by falling in love with the wrong person.
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Everyone talks about the elusive thing with chemistry. If you have a romance on screen or anything, the first thing you have to do is become friends with the person. It's not necessarily about falling in love.
Everyone talks about the elusive thing with chemistry. If you have a romance on screen or anything, the first thing you have to do is become friends with the person. Its not necessarily about falling in love.
As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies... well... babies are complicated.
The great thing about 'Camelot' is that it is an adult drama.
One of the great joys of falling in love is the feeling that the most extraordinary person in the entire world has chosen you.
People are falling in love because a certain man has a certain type of nose. People are falling in love with fragments! Nobody is bothered about the totality of the person -- and it is a vast thing. The nose does not count for much --- after two days you won't look at it at all. Or the color, or the shape, or the proportion of the body -- all these things are very minor. The real thing is the total functioning of the person, and that can be experienced only when you live together.
People don't really talk about falling in love anymore. And yet falling in love is the great engine that drives all the best art - or falling out of love or being heartbroken - drives all the best books, drives all the best music, and yet we've sort of stopped talking about it.
I'm always interested in playing different people, in different situationsIt doesn't matter to me whether someone is in love with a man or a woman. I find the idea of love and romance interesting. I'm a sucker for it. I like playing someone who's falling in love because I like the sensation of it. People do extraordinary things when they're falling in love.
There have been so many different versions of the legend and of 'Camelot,' so what I wanted to do was strip it all back, and go back to the beginning and tell the story of Arthur, from the beginning of the relationship between Merlin and Arthur.
Love is not just a passion spark between two people; there is infinite difference between falling in love and standing in love. Rather, love is a way of being, a "giving to," not a 'falling for"; a mode of relating at large, not an act limited to a single person.
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
An agent friend of mine who will remain nameless said you can't make a romance about homeless people; nobody wants to see them kiss. And I thought, what a repulsive, repugnant, extraordinary thing to say. I had to think about the fact that the world is probably full of other people who feel like that. The very idea that we spend time trying to humanize humans is extraordinary to me.
A romance novel focuses exclusively on two people falling in love. It can't be about a woman caring for her aging mother or something like that. It can have that element, but it has to be primarily about the male-female relationship.
Believe me there is no such thing as great suffering, great regret, great memory....everything is forgotten, even a great love. That's what's sad about life, and also what's wonderful about it. There is only a way of looking at things, a way that comes to you every once in a while. That's why it's good to have had love in your life after all, to have had an unhappy passion- it gives you an alibi for the vague despairs we all suffer from.
One can write out of love or hate. Hate tells one a great deal about a person. Love makes one become the person. Love, contrary to legend, is not half as blind, at least for writing purposes, as hate. Love can see the evil and not cease to be love. Hate cannot see the good and remain hate. The writer, writing out of hatred, will, thus, paint a far more partial picture than if he had written out of love.
Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.
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