A Quote by Chrissie Hynde
Music reflects the time that it's being made in, and so certainly, the music that's being made in 1986 by a 14-year-old kid will reflect some magic of 1986 for him if he's an inspired and creative musician.
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I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
Just the fact that that Europe album 'The Final Countdown' came out in 1986 and 'Rad' came out in 1986... I'm starting to think that maybe 1986 is my favorite year, of all time!
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
The music that I will continue to make will certainly draw upon those experiences of being a loner, of being an emo goth kid, of being a New York City aficionado, of being a witch, a feminist, a brown radical woman.
I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.
I feel I am a little unfit for the kind of music that is being made today. There is a big difference between what I sang earlier and what is being made now. I am not saying this music is bad, but there are too many beats.
I make no apologies for Popeye. Behind M*A*S*H, it's my biggest hit. It got maligned by the critics because it wasn't Superman. It wasn't about special effects and it wasn't made for 14-year-old boys. The majority of films are made for 14-year-old boys; I don't know where they get the eight bucks to get in. It's hush money from the parents.
We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.
Well David "Fathead" Newman was my first experience with improvisation. When I saw him play for the first time I realized that there is an importance of spontaneous music being made on the spot. It was so soulful and singing through his horn. So that's how I was inspired early on.
All songs, all pieces of art, reflect the world that they were made in and the values of those artists and the hopes and aspirations of the people who listen to that music and who made that music.
I have been working and composing music since 1986. Over the years, I have seen our music industry go through all kinds of transformation.
It's this funny thing now: You sign up to be a musician because you want to write music, but you don't spend your time writing music. Instead, you go around the world selling the music you've already made.
I love sitting and collaborating with people and just being creative and we are all throwing out ideas and next thing you know some magic is being made in the ring that I had a small little part in.
That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.
By the time I was 14, I had seen only three Tamil films - 'Anjali,' 'Bombay,' and 'Puthiya Mugam.' And I loved the music in the films. When I found out Rahman sir was the man behind the music, I made up my mind that I wanted to sing for him.
It's interesting because all I want to do is make music. I want to sit in my room, play the guitar, make beats, sing... And I have never made less music than when being a musician became my job.
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