A Quote by Krysten Ritter
When I'm breaking in a character like Jessica Jones, I have this amazing opportunity to create her backstory. It's all of the work that happens before I'm ever on camera... Writing 'Bonfire' was like doing all of that fun stuff; it was like 300 pages of prep work.
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I think backstory is really important to know because I'm all about prep work. I like to do all of my work right away, as soon as I get it. I'm incapable of procrastinating on anything, so I like to do all of the work.
Directing's the best part. Whenever I've directed something, there's this feeling of demand and focus that I like. And secondly, it means that you've gotten through all the writing stuff, and the producing stuff, and casting, and prep, and all those stages that are seemingly endless. So directing is sort of the reward for all the work you put in before. And then there's the editing, which is another amazing stage of the process. It's incredible the moments you can create.
There's no reason not to employ, seek out and take a chance on a woman filmmaker that you might not have been looking at her direction. She's not done it before because you've not given her the opportunity to do it before, and I'm just happy that folks like Jessica Jones' Melissa Rosenberg and folks like Ryan Murphy are also embracing this idea.
I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.
I think one of the major differences between Wonder Woman and Jessica Jones is that Wonder Woman is iconic and much better known, so you get into a lot of ridiculous expectations, like what's her costume going to look like? Well, nobody knows who Jessica Jones is, except for fangirls and boys.
I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes.
Honestly, I don't look at it as work because I have way too much fun on set to actually classify it as work. I know a lot of people who are like, 'Man, acting's so much work.' And I'm like, 'No, it's not. I'm having fun.' And I want to keep doing that. I don't ever want to give up acting.
Luckily for me, snowboarding doesn't really feel like work unless I'm actually doing stuff that's, like, work-ish, but when I'm just snowboarding, I'm having so much fun.
After 'Jessica Jones' came out, I started hearing firsthand from a lot of women who were so inspired by the character, who felt represented, who felt like watching Jessica on screen helped them in their own lives. Women are devouring content like that because everybody is complicated; not everybody is one thing.
I can't work out and *not* be watching or listening to music or something. I also journal a lot. I think writing is super therapeutic. And then, hanging with my nieces and nephews. Just like baking or doing silly stuff like jumping on a trampoline, doing fun things with them, pretending I'm five with them, that makes my day.
There's a little wire work, which is so much fun. You can fly, it's amazing. But I've had to mostly just sort of kung fu, you know, ground work. Footwork and stuff like that.
What I enjoyed about being in the world of Jessica Jones, as Luke Cage, is that I wasn't front and center because it was Jessica Jones' story, but it allowed me to find the character from a different perspective.
When you have a show that's called Jessica Jones, if Jessica Jones isn't in a scene the rest of it become almost irrelevant until you earn other character storylines. You've got to flesh out those characters enough that you can travel.
I equate fame towards people who know your work, people who will see your work. But all that stuff, like with the Genies and stuff like that, it was so much fun. It's so much fun and it's nice when it comes, but that's not what it's all about.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I am used to doing dramatic work, but its fun to grab a gun, and go running around, getting beat-up. Its fun to do the action stuff, because it is really physical. There is nothing like getting into a character by getting beaten up physically.
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