A Quote by Kristen Stewart
What I really mean is that actors do the interview process because they have to. It's a good bargain: If I can do this part then I'll sell it. I just wish it wasn't me who had to do it because it feels very unnatural.
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I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
I think because we're ourselves, we tend to think we're unique. 'I have problems that are just specific to me.' Then you connect with one of your parents and you realize, 'Oh yeah, we had all that stuff, too.' You're not that original. I mean, in a good way, because it makes you feel like you're connected and a part of the world and not an island.
Because revenge is a very known feeling in American culture, theres a certain element of an eye for an eye. Theres the saying, 'Be careful what you wish for, you might get it'. When you wish for revenge, and you think you've gotten it, what happens then? Revenge is just a really good drive for drama and good action.
Because revenge is a very known feeling in American culture, there's a certain element of an eye for an eye. There's the saying, 'Be careful what you wish for, you might get it.' When you wish for revenge, and you think you've gotten it, what happens then? Revenge is just a really good drive for drama and good action.
Hallmark has been really, really good to me. It is very much like a family. I'm friends with producers here, not because 'maybe if I befriend this person they'll give me a job,' but because they're good humans and we became friends in the process of working together.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
We have become terribly vulnerable, not because we suffer but because we have separated ourselves from each other. A patient once told me that he had tried to ignore his own suffering and the suffering of other people because he had wanted to be happy. Yet becoming numb to suffering will not make us happy. The part in us that feels suffering is the same as the part that feels joy.
I think it's a slightly crazy time actually, it's very difficult to satirise because each of politicians is in their own way enacting a commentary on the world of politics anyway. To then comment on them just feels like adding another layer. I find it very difficult to do jokes about current politics because for me it's all about... I actually genuinely want people to be involved properly, you know? I mean, the number of people who don't vote... Frightening, really.
I had a very blessed journey with the upbringing I had. When you're working on sets as a stuntman, you have a firsthand account of the dynamics between actors and directors, because you're working hand in hand with them. You're not sitting outside the process watching. You become part of the process. You also see your tradecraft and see how movies are made.
I don't really do scales... I mean, I play parts of them, but then I bail and start playing parts of other things. The term 'scale' feels very scripted to me because I'm an improv player.
I've always felt that actors in my experience have a very good and accurate instinct about whether something feels right or not. They just have a sense because they have to literally do it.
I've said things that, now, I wish I hadn't said because times have changed and like the me of 15-20 years ago made a joke that I wouldn't make today because I - just because I look at the world differently now, you know. And because the world is different now. And, you know, it's all part of a maturation process, I think, for everybody.
There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that director because he loves actors."
I’m so sorry that I wasted your time because you really do mean a lot to me and I hope you have a very nice life because I really think you deserve it. I really do. I hope you do, too. Okay, then. Goodbye.
I'm not in the luxury-goods business. I sell unique objects. I wish I was in luxury goods because then I could just call the factory and say, 'I need 10,000 more of whatever.' But I can't - because then it's not art, it's something else.
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