A Quote by Christian Slater
When you sign onto something, you want the character to be redeemable and likeable, hopefully, and understandable.
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Well, on a personal level, I would never want to take on a character who didn’t have some redeemable qualities. Even the worst of people, such as Michael Scott in The Office [Carell’s character in the US version of the Ricky Gervais sitcom], have some decent human qualities that you can latch onto.
You know, it's scary when you sign onto a pilot of a series because, as much as you want the series to go, you also want it to be a character that you'd be interested in playing for a long time.
I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.
We are a new nation conceived in liberty, and dedicated to the proposition that all men are created equal. That's what makes us Americans. When we sign onto that belief, we sign onto the core American identity, and that's very deep in us.
Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.
The most interesting characters keep us hooked. Not likeable ones! Iago, Shylock, Darth Vader - are they likeable? Do you want to invite them to dinner?
I definitely feel like I've put in a lot of work and shown my value and shown the worth, shown my competitive spirit, my willingness to be within the organization, my leadership skills. Hopefully all that pays off in the end and we can come to an agreement. I want to be a Hawk and hopefully I want to sign that deal here.
There's something really freeing about playing a character that isn't even, like, remotely likeable whatsoever.
I guess I always knew going into the movie that casting that part would be difficult. Oliver just felt likeable. I felt it would be hard to dislike this man. I don't know why, but I'm sure other directors have felt the same when casting him. Oliver is goofy yet formidable, smart but likeable... I didn't want the character of Alex to be nasty or demonised. I wanted him to be struggling with his actions.
Criticism is the best sign you're onto something.
When I come onto a show where I haven't met any actors, I try to zero in on the script and what's expected of the character I'm going to play and hopefully keep my focus on that, and friendships develop from that.
Even with a stable character, you want something surprising to happen, hopefully because that's what the camera loves the most. That's what is great about film.
The truth is that, to me, a likeable character is a character that is really flawed, so I don't know what people mean when they say 'likable.'
The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another point of view.
A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody,that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
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