A Quote by Christine Gregoire
Vernon Reis opened the world to me through books. He taught me that while I was physically firmly planted in blue-collar Auburn, Washington in the 50s and early 60s, intellectually I could go anywhere, explore anything, and sample exciting new ideas simply by opening a book.
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Books opened up a whole new world to me. Through them I discovered new ideas, traveled to new places, and met new people. Books helped me learn to understand other people and they taught me a lot about myself. ... Some books you never forget. Some characters become your friends for life.
If we would change the basis and align what is taught in school with what is needed with business... that's where I came up with this idea of 'new collar.' Not blue collar or white collar.
This idea of 'New Collar' says for the jobs of the future here, there are many in technology that can be done without a four-year college degree and, therefore, 'New Collar' not 'Blue Collar,' 'White Collar.' It's 'New Collar.'
But, in the end, the books that surround me are the books that made me, through my reading (and misreading) of them; they fall in piles on my desk, they stack behind me on my shelves, they surprise me every time I look for one and find ten more I had forgotten about. I love their covers, their weight and their substance. And like the child I was, with the key to the world that reading gave me, it is still exciting for me to find a new book, open it at the first page and plunge in, head first, heart deep.
I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught.
I could have grabbed his shirt collar. I could have pulled him close to me, so close he could feel my breath on his skin, and I could have said to him, "This is just a crisis. A flash! A single match struck against the implacable darkness of time! You are the one who taught me to never give up. You taught me that new possibilities emerge for those who are prepared, for those who are ready. You have to believe!
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are going through it.
As an actor, of course it's exciting to go and explore characters. It's exciting to explore human psychology and relationships, and that's really the drive, at the end of the day, for me.
I think fans cling to me because I'm a blue-collar guy in a blue-collar city.
For me, I've never been too concerned of what people think of me, so now as the youngest Baldwin brother in Hollywood making movies while simultaneously being a charismatic evangelical born again Christian who's an evangelist - that's a pretty crazy combination. But early on in my walk of faith I said a very personal prayer and made a commitment to God. I said if you reveal yourself to me in a way that is more thrilling and powerful and exciting than anything I've experience thus far, then I'll go anywhere and do whatever you want. And that can be very tough.
Real life is physical. Give me books instead. Give me the invisibility of the contents of books, the thoughts, the ideas, the images. Let me become part of a book. . . . an intertextual being: a book cyborg, or, considering that books aren't cybernetic, perhaps a bibliorg.
There's so much built-up camaraderie and sacrifice, and football is such a tough man's game. I think that's why it's so popular. That's why so many blue-collar communities and people can really feel attracted to this because it is a blue-collar struggle that football players go through.
Through the use of books I had the whole world at my feet: could travel anywhere, meet anyone, and do anything.
I feel that we are currently living in a world that is similar to late '50s, early '60s kind of world.
In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.
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