A Quote by Christine McVie
I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
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Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
I think it's part of how people relate to Fleetwood Mac. In many ways, we've been too open and too truthful about stuff that is really none of anyone's business. I think we were quite naive in the way we related a lot of that truth to people other than ourselves.
My favorite record of all time is Fleetwood Mac's Tusk. It's made up of a bunch of songs that don't really sound the same, but they all go really well together.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
All these people talk so eloquently about getting back to good old-fashioned values. Well, as an old poop I can remember back to when we had those old-fashioned values, and I say let's get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States - and to hell with the censors! Give me knowledge or give me death!
I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.
The Eagles, let's face it, they were a pretty cool group, Fleetwood Mac, Blondie. I had this really eclectic background in music.
My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
I dearly remember the old days... Fleetwood Mac had this one-of-a-kind charm. They were gregarious, charming and cheeky onstage. Very cheeky. They'd have a good time.
There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.
In my case, my videos are zero-cost productions. I don't spend a single penny on them. I take 15 to 16 days to come up with a video and do one or two videos a month. That's a long time.
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