A Quote by Christine McVie

Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac. — © Christine McVie
Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
Certainly, whatever I learn while I'm out solo, I bring back to Fleetwood Mac.
I was in a very deep, dark slump, and I needed to find a way to get myself out of it. I had to force myself back out into life, back out into experiencing things.
I'm a bit of a Fleetwood Mac girl. I also think you can't beat a bit of old school Girls Aloud to get in the mood for going out.
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
I had Fleetwood Mac on, and Saido Berahino asked me if it was from a movie soundtrack.
I just find that with music I've always felt a sort of comfort."Paranoid Android" was the saddest song I'd ever heard in my life, but it felt so good - it was like, "Oh, you understand where I'm coming from." I was at a weird age at the time, in a hardcore band that had no melody, no chance of finding any success, and I was just trying to figure out what the hell I was going to do with my life. And that came out and changed my life forever - on an artistic level, and a lyrical level, for sure.
I was in a hardcore band that had no melody, no chance of finding any success, and I was just trying to figure out what the hell I was going to do with my life. And that came out and changed my life forever - on an artistic level, and a lyrical level, for sure.
The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'
The Eagles, let's face it, they were a pretty cool group, Fleetwood Mac, Blondie. I had this really eclectic background in music.
We needed overtime laws, we needed unionization, we needed to figure out how to distribute the Industrial Revolution's gains with equity, and we're going through something similar with the technology revolution.
I had ambitions to set out and find, like an odyssey or going home somewhere, set out to find this home that I'd left a while back and couldn't remember exactly where it was, but I was on my way there. And encountering what I encountered on the way was how I envisioned it all. I didn't really have any ambition at all. I was born very far from where I'm supposed to be, and so, I'm on my way home, you know?
I love Journey and Fleetwood Mac.
I never had a problem with a coach in my life, no matter what team I've been in on.I put that on myself because I let that space and opportunity start something especially when people didn't know what was going on or people are trying to find out or figure out what's going on with the team.
With Fleetwood Mac, it's an amazing chemistry that we have on stage.
When I look for what I'm going to listen to I go backwards. I'm always going the other way you see. Most people are trying to figure out 'how do I get in the fast lane going that way?'. I'm going in the other direction. I wanna find the oldest thing to do.
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