A Quote by Kristin Scott Thomas
I try to make films that I find exciting. It makes me want to get out of bed at five in the morning, have my make-up done and play for the rest of the day.
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I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make.
I have been reading the morning paper. I do it every morning-knowing well that I shall find in it the usual depravities and basenesses and hypocrisies and cruelties that make up civilization, and cause me to put in the rest of the day pleading for the damnation of the human race. I cannot seem to get my prayers answered, yet I do not despair.
Every day in our house is like Valentine's Day. I've kept it traditional with what my dad has done with my mom. Every morning, I get up and I make coffee and I bring Giuliana coffee in bed.
Writing is incredibly hard. But I want to do it. That said, I make it the top priority in every day, which for me means the first hours after getting out of bed in the morning. I've been doing it enough years now that I don't even think about waiting for my muse to show up, I just get to work.
I don't actually get recognised. I only have my hair done and make-up put on when I am on TV. The rest of the time, I go out without make-up on, so people don't recognise me.
I do a workout every morning in which I purposefully try to make myself uncomfortable. It sets me up for the rest of the day by reminding me that I can choose to be OK in the midst of tough challenges.
I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
You can read books on stuff all day long, but until you get out there and just do it, if you want to start playing, and you want to make some music, then go out and play. Go find yourself a venue and play, even if it's in your home. Just play every day. You win the fight by fighting.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
What are we going to do about the injuries to our country still going on right in front of our eyes? It gets me out of bed in the morning. It makes me mad enough to get my blood up and want to get out there with [Mark] Twain and get it said and that is why I still hit the road and go out on the stage and keep working at staying alive.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
I do kind of aspire to do comedy that appeals to a wide range of audiences and doesn't divide people. I never want to do material that makes people laugh at the expense of making other people feel bad - not to say I'm not guilty of that at times. ... I try and make humor out of the really important issues of the day, like Hot Pockets and elevators and not wanting to get out of bed.
I've found that if you just try to make the film you want, you'll find the right audience. If you try to please everyone, you're going to make really boring films.
I actually play piano and violin, but I don't have a passion for it. It didn't make me wake up in the morning wanting to do it, or go to bed thinking about it.
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