A Quote by Kristin Hersh
I would go to radio stations and they were supposed to be interviewing me and playing my record and they would say, We're playing too many women right now, we can't play your record.
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When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.
All I can focus on right now is playing that record as best we can each night on stage, and that every article or radio spot that I do gives the best depiction of what we're trying to say with this record. The next door will open when it's time to open, and hopefully I'll be lead into the right one.
When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.
When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum in elementary school and high school... There is a permanent record today, and it's called the Internet.
When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum, in elementary school and high school... There is a permanent record today and it's called the Internet.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
The radio stations strayed away from the raw hip-hop that they were playing in the early 1990s. We were like, 'All this watered down stuff is dominating the airwaves. We should make a record to make fun of that' and Guru's like, 'Let's call it 'Mass Appeal.''
Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.
That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.
Because my faith is important to me and then they wrote it in that my character I would be playing would also be a Christian, many people would often assume now that I'm playing myself on television. And I'm not.
It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.
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