A Quote by Kristin Chenoweth

Well, you know, people don't know me as a country artist and I am new to the genre. But that's how I grew up singing. — © Kristin Chenoweth
Well, you know, people don't know me as a country artist and I am new to the genre. But that's how I grew up singing.
Most people don't know I grew up singing country music; that's what I sang right up until I did 'Idol.'
I've been around long enough for people to know who I am and what my contributions are. They know me as more than just an artist. I think they know me as a woman as well.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
Some people say I'm not country, but they don't really know how I grew up.
If you listen to all of my records, they all have a little part of me. So there's a part of me that's very bluegrass-y, and incredibly country, because I grew up on a farm in Missouri - I grew up singing country music. I started in bluegrass - but then there's also so many other sides of me - really pop.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
I grew up moving around. I went to seven different schools, so I know what it's like to be that new girl and have to not only know who you are but also take that into foreign circumstances and know how to respond.
At school, I'd sing in groups in the locker room or in the bathroom, which was like an echo chamber. The problem is I didn't know how to get started singing professionally. The pool hall was my Facebook. I'd hang out there to keep up with what was going on and to let people know where I could be reached if singing jobs came up.
I'm grateful when anybody can start to have his or her limited perception of the genre open up a little bit. There's a lot of great music in the country genre that doesn't get heard because people say, 'Well, I don't like country.'
When you don't know how to pick up a brush, you don't know anything; at that moment you're an artist. I'll simply say, 'If you know less, you're better off as an artist.
It's a good feeling to be at a place where you know who you are as an artist. I didn't know back then, I just wanted to give my family a better life and myself. I wanted to sing, but I didn't know as an artist who I wanted to be and because of all those experiences, it helped shape me into who I am and what I've now realized and what it is that brings me happiness which is when I pick up the guitar and do records.
I go and I keep friends with [Abe] Rosenthal at the New York Times and people of that sort, you know. And all - I mean, not all the Jews, but a lot of the Jews are great friends of mine, they swarm around me and are friendly to me because they know that I'm friendly with Israel. But they don't know how I really feel about what they are doing to this country. And I have no power, no way to handle them, but I would stand up if under proper circumstances.
It is troublesome sometimes when people get up in your face in public, you know? And say, 'How could you, how dare you?' Well, they don't know me.
I grew up singing, and I played on Broadway to thousands of people, you know what I mean?
I'm good at giving up control to people who know where they're going and what they want to do. I can sit in the back of a car and ride cross-country if you know where you're going and you know how to take me there.
I often think how celebrated I am. / It is difficult not to think how celebrated I am. / And if I think how celebrated I am / They know who know that I am new / That is I knew I know how celebrated I am / And after all it astonishes even me.
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