A Quote by Christoph Waltz

What I liked so much while shooting [a movie], I might not like anymore when I see it or vice versa. The two are connected but not on a causal level. — © Christoph Waltz
What I liked so much while shooting [a movie], I might not like anymore when I see it or vice versa. The two are connected but not on a causal level.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.
The more liked you are in Washington, the less liked you are in the rest of America, and vice versa.
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
The problem with waiting for someone, whether that wait is an hour or a lifetime, is everyone's 'clock' is different. So what you might consider forever is only a little while to them, or vice versa.
Some people who are creative are not reliable and vice versa; some see big pictures while others see details, etc. All of them are important to have on well-orchestrated teams.
Dancing is why I love music as much as I do and vice-versa, and there aren’t many things better than those two combined.
I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
I think narrators expect a high level of intimacy with their readers, and vice versa.
I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.
I wish more Americans would travel here. I always encourage my friends: 'Travel. See the Middle East. There's so much to see, so many good people.' And it's vice versa, and it helps stop problems of misunderstanding and stereotypes from happening.
Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.
I liked Bach played the way people expect Chopin to be played, and vice versa.
Something magical happened when I turned 25 - I looked in the mirror and was like, 'You might not get carded for an R-rated movie anymore.' Like I didn't have a little stick figure anymore.
Some choices are forever....Just because people aren't in our lives anymore, doesn't mean they stop thinking about us and vice versa.
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