A Quote by Christopher Anderson

I fell into this thing by accident. I was never supposed to be a photographer. — © Christopher Anderson
I fell into this thing by accident. I was never supposed to be a photographer.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
I've been interested in the writing/directing thing and really fell into acting by complete accident.
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
I never really watched much stand-up growing up. I just was not really that into it. But I can say I honestly fell in love with it the second I touched the microphone. It was like this weird thing where it's like, 'Oh, yeah, this is what I'm supposed to do.'
I know that the accident of my being a photographer has made my life possible.
It is no accident that the photographer becomes a photographer any more than the lion tamer becomes a lion tamer.
One thing that Life and I agreed right from the start was that one war photographer was enough for my family; I was to be a photographer of peace.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.
I traveled the world ten times over doing something I never thought I'd do in a million years. I found myself in Tokyo, Japan. I (was in) a Dell Computer commercial, the first thing I had ever done, and I fell in love with it. I fell in love with the green screens, I fell in love with (everything). The translator was explaining everything to me. It was a passion like I had never felt before. I came back and it took me five years to really accept that that was okay.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.
When I met Jo Wilder, I fell crazy in love and never thought about homosexuality. And I thought, 'Well, this is what I'm supposed to be doing. This is life.'
When the Iron Curtain fell, all of the West rejoiced that the East would become just as free as the West. It was never supposed to be the other way around.
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