A Quote by Christopher Bollen

There are certain moments where artwork might seem like it's part of someone's career - if you really know the art world - , but I did my best to prevent that overlap. — © Christopher Bollen
There are certain moments where artwork might seem like it's part of someone's career - if you really know the art world - , but I did my best to prevent that overlap.
I was really into artwork in high school and my art teacher made it clear to me that it's not really a career. She insisted that if I wanted to make a living this way, I would have to find a career that might actually reward me for the artwork.
It might be rare, but there are certain moments when you really don't feel like yourself. When you are in the character so fully, it's the best feeling ever. I so love it. Even if those moments come just once a day or every other day, they are just worth it.
The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
When someone is good, but it doesn't seem like their world will collapse if they don't get the part, it's more appealing. It's like dating someone: You don't want someone who's too into you.
I can act every single day because I love it; it's just so liberating. It might be rare, but there are certain moments when you really don't feel like yourself. When you are in the character so fully, it's the best feeling ever. I so love it. Even if those moments come just once a day or every other day, they are just worth it.
The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
I know writers, and they seem to be the most disgruntled part of the art world.
My background is in art. I was a painter and an occasional sculptor, and I really like materials - you know, stuff. Physical objects. The world and the trees and the sunshine and the flowers. And all of that doesn't seem to really exist out in the ether of the Internet.
I would like to have opportunities in my career to do parts that people would remember - either the whole character or certain moments that they personally could really connect to or were really affected by it deeply.
Usually we're all comfortable playing the songs, but during the song there might be one part where you're like „oh, this part's coming up, I have to really focus", a lot of songs have those moments in them.
When I'm getting to know someone, I look for someone who has passions that I respect, like his career. Someone who loves what he does is really attractive.
In terms of career options, I didn't think about MMA at all. I don't know if I really thought it was a career path for many women. For someone like me, even in my prime, it wasn't something I really considered.
It was the kind of terrified look that reminds you that no matter how rational or grown up a person might seem, some part of him is absolutely sure - knows - that an evil other-world exists just outside of our regular, everyday world. And that although we don't expect that world to collide with our calm, predictable one...well, really, at any moment that is exactly what might happen.
I think making a movie is like drawing or creating an art piece. The artwork reflects part of your personality, but not all.
I know it wouldn't seem like I've had a lot of failure in my career, but there are things that I regard as failures, when I look at certain performances and go, 'That's not good enough.'
The seat of the soul is where the inner world and the outer world meet. Where they overlap, it is in every point of the overlap.
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