A Quote by Christopher Lee

Ian Fleming was my cousin, and he wanted me to play Dr. No, but by the time he got around to remembering to tell the producers, they'd already cast someone else. Spilt milk!
Ian Fleming was my cousin, you know. He was in naval intelligence.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
I wanted to look cute, hot and sexy all at the same time in 'Bigg Boss!' How else will the Bollywood producers cast me in their films as the lead actress?
[On Ian Fleming:] The trouble with Ian is that he gets off with women because he can't get on with them.
I think crying over spilt milk and being all moody and sulky is really bratty behavior. You shouldn't do it, because it's going to drag you and everyone else around you down.
You might be someone's favorite, but you might not be someone else's favorite. I will tell you that there was a [casting notice] that said "Tracee Ellis Ross type," but [the producers] didn't want to see me. I've been in this industry long enough to know that even if someone wants to promise me something, it doesn't mean that it's going to happen. There are so many things at play. But it was flattering and exciting.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
I could never work in that kind of commercial environment where the stars have a lot to say, where the producers kind of push you around and tell you who to cast and who not to cast. I'm just not interested in that at all.
I hate Nassau and the Bahamas. It's one of those places I'd always wanted to visit since reading Ian Fleming but it was full of casinos with Americans in shorts.
I've got so much respect for 'Bond.' It's such an iconic cultural behemoth. I love the whole story - Ian Fleming's stories are amazing.
You know, you only get to live life once, so there are two things that that yields. One is that there's no point in crying over spilt milk, but secondly you hate wasting time, energy, and whatever talent you've got...
You know, you only get to live life once, so there are two things that that yields. One is that there's no point in crying over spilt milk, but secondly you hate wasting time, energy, and whatever talent you've got.
I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
Even in the early stages, you can tell who thinks you're an idiot singing songs someone else has written for you. We never wanted to be two producers and a girl who wears some shoes.
Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short stories, all of which are fodder. And when I'm working on the new Bond, I'm constantly going back to Fleming and the other movies - what are the bits and pieces, what are the resonances?
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