A Quote by Christopher Meloni

TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years. And sure, everyone wants to be Bruce Willis or George Clooney - they want to be in film for the range of characters you get to play.
TV's hard work. I don't know how the hell Angela Lansbury survived doing 'Murder, She Wrote' all those years.
I was on Murder She Wrote with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared.
I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.
What happens to George Clooney and Bruce Willis is great, but I can't gauge my career by anyone else's.
I do get starstruck working with Bruce because even though he is such a nice guy he's a real movie star. I grew up watching his movies it is just really hard to get used to just being around Bruce Willis. I mean, he's Bruce Willis!
She wants to learn how to handle a gun. Well, I want George Clooney naked in my bed, but I haven't attempted kidnapping. Yet.
Working with Bruce Willis makes my career authentic. I may not get an Oscar, but I worked with Bruce Willis. That matters more to me.
I'm the one who often makes the 'Murder, She Wrote' reference, and ABC hates that, they don't want me to do that. And I say that having never actually watched 'Murder, She Wrote'. I think people have been trying to compare it to crime shows that are on right now, and all I can do is listen. I don't watch a lot of TV.
Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
It's funny, like 15 years ago when I was a kid doing all the John Hughes movies, I remember Bruce Willis was the only guy who was transitioning from television into film.
I honestly feel that "Murder, She Wrote" stands alone, as many of the other great shows of the past 35, 40 years do. It stands alone, and it's still on. It's still all over the world, "Murder, She Wrote," Jessica Fletcher and "Murder, She Wrote."
George Clooney sort of lost his 'George Clooney-ness' the first day I met him. He's not George Clooney in my eyes - he's George from Kentucky with an awesome, awesome heart.
When I see myself on TV, it's like watching a film with Bruce Willis in it. You think it's somebody else. It's weird.
How much do you have to pay someone to be in a George Clooney/Alexander Payne film? Nothing! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.
How much do you have to pay someone to be in a George Clooney/Alexander Payne film? NOTHING!! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
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