A Quote by Christopher Hitchens
How dismal it is to see present day Americans yearning for the very orthodoxy that their country was founded to escape.
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On a very gloomy dismal day, just such a one as it ought to be, I went to see Westminster Abbey.
Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.
It's the old American Double Standard, ya know: Say one thing, do somethin' different. And of course this country is founded on the double standard. That's our history. We were founded on a very basic double standard: This country was founded by slave owners who wanted to be free.
At the present moment in our culture this yearning for meaning and consciousness, this yearning to give and serve something higher than ourselves, is breaking through the hard crust of our widespread cultural materialism and pseudo-scientific underestimation of what a human being is meant to be together with an equally tragic overestimation of what we human beings are capable of in our present everyday state of being. The intensity of the present confusion about the nature and existence of God is a symptom of this yearning within the whole of our modern culture.
To be shelterless and alone in the open country, hearing the wind moan and watching for day through the whole long weary night; to listen to the falling rain, and crouch for warmth beneath the lee of some old barn or rick, or in the hollow of a tree; are dismal things - but not so dismal as the wandering up and down where shelter is, and beds and sleepers are by thousands; a houseless rejected creature.
Americans are fed up with how things are going in the country right now. They see more job losses, rising debt and plummeting home sales. They feel let down by a government that passes one 2,000-page, trillion-dollar law after another instead of focusing on addressing the problems Americans worry about every day.
I think we should be very clear on this. You know, this country was founded on the principles of the Enlightenment... It was the idea that people could talk, reason, have dialogue, discuss the issues. It wasn't founded on the idea that someone would get struck by a divine inspiration and know everything right from wrong. I mean, people who founded this country had religion, they had strong beliefs, but they believed in reason, in dialogue, in civil discourse. We can't lose that in this country. We've got to get it back.
The habits of liberals, their automatic language, their knee-jerk responses to certain issues, deserved the epithets the right wing stuck them with. I'd see how true they often were. Here they were, banding together in packs, so I could predict what they were going to say about some event or conflict and it wasn't even out of their mouths yet. I was very uncomfortable with that. Liberal orthodoxy was as repugnant to me as conservative orthodoxy.
There is no border in my films. You can see yourself in these stories. This is the greatest thing about the power of cinema. It's very present. It's all there. You can't escape it.
What we accomplished during World War Two is just amazing. We turned our country upside down. African Americans were demanding to be given combat missions. 10% of Americans moved in order to relocate for a war job. We as a country accomplished this heroic, nearly miraculous thing, and we have this legacy of policies and agency - how did they do it? How did they fund it? How did they organize it? It is actually an example that we can borrow from very productively to guide us.
Detroit is really a model for how wealthier and whiter Americans escape the costs of public goods they'd otherwise share with poorer and darker Americans.
I look back on tremendous efforts & exhaustion & dismal looking out of a tent door on to a dismal world of snow and vanishing hopes - & yet, & yet, & yet there have been a good many things to see the other side.
Escapology has one thing going for it that probably made Harry Houdini such a superstar in his day and a legend in the present. Everyone wants to escape from something. Taxes, contracts, illness, work, the multitude of burdens that we chafe under are shadows from which we want to escape.
Never mind that from the 1600s until the late twentieth century the population the United States was 85% white, 12% black, and there have been changes demographically in the United States since the days of its founding. So they're trying to tell you that the United States' greatness happened because of diversity. Well, go back and look at the days the country was founded, and they do. When they do that, they see how racist and bigoted this country was. they see the seeds for bigotry and racism and discrimination were sown at the founding, is how it's now taught.
Americans continue to rapidly homogenize ourselves into a neutered oblivion. For a country founded on the protection of the unique, we relish our sameness.
[People] might have a different word for the yearning of the heart and the yearning of the spirit that is looking for what I call "God," it still is the same thing. It is the heart's yearning to know the origin of its mystery. It's a heart's yearning to know the power of the divine in each of our lives. It's a heart's yearning to be connected to that.
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