A Quote by Christopher Hitchens

Very often the test of one's allegiance to a cause or to a people is precisely the willingness to stay the course when things are boring, to run the risk of repeating an old argument just one more time, or of going one more round with a hostile or (much worse) indifferent audience.
It takes courage to care for others, because people who care run the risk of being hurt. It's not easy to let your guard down, open your heart, react with sympathy or compassion or indignation or enthusiasm when usually it's much easier-and sometimes much safer-not to get involved. People who take the risk make a tremendous discovery: The more things you care about, and the more intensely you care, the more alive you are.
A very great Memory often forgetteth how much Time is lost by repeating things of no Use.
I think, the argument sometimes that I've had with folks who are much more interested in sort of race-specific programs is less an argument about what is practically achievable and sometimes maybe more an argument of "We want society to see what's happened, and internalize it, and answer it in demonstrable ways." And those impulses I very much understand.
It doesn't take much insight to realize that wars have been getting worse every time - worse from the point of view of the civilian, more and more destructive, more and more total.
'Teen Vogue' is so much more than just a magazine. It's so much more than just a website. It's so much more than social. It's really about the audience, and so we're going to continue to innovate and continue to find new ways of reaching this audience in meaningful ways.
The test, surely, of a creed is not the ability of those who accept it to announce their faith; its test is its ability to change their behavior in the ordinary round of daily life. Judged by that test, I know no religion that has a moral claim upon the allegiance of men.
I would not say that old men grow wise, for men never grow wise; and many old men retain a very attractive childishness and cheerful innocence. Elderly people are often much more romantic than younger people, and sometimes even more adventurous, having begun to realize how many things they do not know.
I just think that with my wrestling background there's not going to be any doubt in my mind that if I have to go through a three round war that in the third round I'm gonna be more fresh, more tenacious, I'm gonna want that win more than anybody else I'm going to have to fight.
I think actors are getting so much more power these days, but I'm not. I stay very much away from the decisions, the way in which things are orchestrated, what's been changed. I just try to stay completely in the role as the actor and as the character.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself. If the culture you have is radically different from an experiment and take-risk culture, then you have a big change you going to have to make—and no little gimmicks are going to do it for you.
Movies, you can insulate yourself more from audience, to a degree, and just look at box office. In theater, the audience is a very dynamic part of your process, and you feel much more exposed.
The way people appear in the gossip papers, as they're depicted as celebrities, it's not often much like who they are. The more people I meet, the more that's true. Sometimes, they're worse.
The more I started going through my own things in life, my faith got put to the test, and I had to believe that God is real in my heart, my lord and savior Jesus Christ, and I can't run from that. I'll always put that in my music or it just wouldn't be right. People can take it or leave it, I really don't care, because it's for me to put it on records. And I will continue to put more of a spiritual nature in my music.
Having the audience know more than the characters is precisely where you want to be in terms of drama. You can engage them much more when that is the case.
Insulate yourself... from anonymous angry people Expose yourself to art you don't yet understand Precisely measure the results that are important to you Stay blind to the metrics that don't matter Fail often Ship Lead, don't manage so much Seek out uncomfortable situations Make an impact on the people who matter to you Be better at your baseline skills than anyone else Copyedit less, invent more Give more speeches Ignore unsolicited advice
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
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