A Quote by Christopher Eccleston
I went being unemployed for three years to being the lead in a British feature in the days when we only made two a year, 1990. It was ridiculous really.
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It is a very important film, Life And Nothing More, in that what was filmed was inspired by a journey I had made just three days after an earthquake. And I speak not only of the film itself but also of the experience of being in that place, where only three days before 50,000 people had died.
The time that it takes to make the feature is really contingent on the feature being sort of almost ready-made - so coming to a book is more ready-made. You at least have the story that someone sorted out.
The problem with being British... I don't know if it's me being British or being raised a strict Catholic, but you never really enjoy success.
Only when the kulak refused to deliver grain to the State did [Joseph] Stalin, under the pressure of the Left Opposition, accomplish a sharp turn. Being the empiricist that he is, he moved, to the opposite extreme, and set as a task for two or three years the collectivization of all the peasantry, the liquidation of the kulaks as a class, and the compression of the Five Year Plan into four years.
I know that in order to be considered successful, you're supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
I know that in order to be considered successful, youre supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
As an actress, you're perpetually about to be unemployed. That fear - when you have two parents who worked 9-to-5 jobs and went through periods of being unemployed - is real. Those were not welcome times in my childhood.
The level of study that I was at, I was probably only about two or three years away from being ordained as a rabbi, so I really needed to figure out in my head where I wanted to go with things. And I just couldn't do it habitually anymore.
There's something amazing about 'Fawlty Towers' and 'The Office' only being two series. I think, when you really nail it, you don't need to do more than two or three.
We've always had a roadmap to feature filmmaking, and making a feature film could have been three or four years away for us. But crowdfunding helped us get there in a year, and it allowed us to take a much bigger step.
TV is designed a certain way where you have three, four days on stage and three or four days out. You're basically making a feature every seven days. You have to shoot an hour's worth.
My mother sent me and my sisters to Italy every year for language school, so I spent a lot of my teenage years in Florence and Rome. After university I went to Harvard for a year, dropped out, and then went to Paris, where I ended up staying 10 years. It's different from being American: If you're British, you're expected to live at the far corners.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
I work three days at home, and two days in the British Library or the London Library, just to get out of the house and hide from the children.
My father was born in the year 1900 in South Carolina, and he grew up at a time where being an African-American child in the American South was to be deprived of access to anything close to a reasonable education. He only had three years of formal education, but he was self-taught. He read two newspapers a day.
Most uncomfortable! Did we lose anyone? Head count! Lee Ark, Leetu, and Brunstetter. Three. Should we count the meech egg? No, I think not. Don't drop it, Brunstetter. I'm to take it home and raise it. Ridiculous. Being a parent at my age. Where were we? Oh, yes, three. One o'rant, two kimens, two minor dragons. Eight. A librarian and a diplomat. Ten.
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