A Quote by Tiny Tim

I keep recording and recording, but they always stay on the rack and never get out there. — © Tiny Tim
I keep recording and recording, but they always stay on the rack and never get out there.
If I don't stay creative and if I don't stay in the studio and keep writing and recording, I get kind of depressed. I can't quite remember what I'm supposed to be doing with myself.
I never really work on just one CD - I'm recording, recording.
The modern recording studio, with its well-trained engineers, 24-track machines and shiny new recording consoles, encourages the artist to get involved with sound. And there have always been artists who could make the equipment serve their needs in a highly personal way - I would single out the Beatles, Phil Spector, the Beach Boys and Thom Bell.
I think it's great that people now have access to Pro Tools and other recording software at home. I've never understood how anyone could be comfortable in a recording studio
I was working two landscaping jobs; I was recording songs in the spare bedroom. I would get up at 4 A.M., go to work, get back at 6 P.M., have nap, then start recording, just go until I fell asleep.
The act of recording requires you to look at and handle and touch things, so yes - art is more than just looking and recording. It's messy and time consuming and people might fall in love and get hurt.
There is no 'stop' - there's always 'go' on both sides: always keep writing, always keep recording. I don't find them to be segmented processes.
The whole thing with recording is you have to know when to turn off the tape machine and just stop recording because you want to keep fixing, fixing, fixing, you know?
People are so into digital recording now they forgot how easy analog recording can be.
When I first started recording music, I was actually singing about microphones, equipment, recording.
Recording interviews is like magic. a) It stops you from taking notes in the middle and b) you can play that recording for people.
My recording career has luckily run the gamut of recording environments.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal.
I don't really have any interest in recording at places that are institutionalized for recording.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
I had a recording contract with Capitol Records. I loved recording and being in that studio. I made four albums.
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