A Quote by bell hooks

If I do not speak in a language that can be understood there is little chance for a dialogue. — © bell hooks
If I do not speak in a language that can be understood there is little chance for a dialogue.
I speak to people in the languagethey understand. First I have a dialogue, if that is not understood I speak inanother language. There is no remedy for this.
What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences.
Wherever I go, I have to speak English, which is my second language. So whenever you get a chance to speak in your own language? It feels good.
With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue... I think expositional dialogue is quite crass and not like real life.
I'm bugged because I can't believe I can't speak every language there is. But I feel I can when I sit and am with somebody, and I can dance for them. Because dance is dialogue without language.
The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.
I speak a little bit of Italian, yeah. I understand more than I speak. I speak more of a dialect; my mum's from Naples and my dad's from Sicily, so it comes out little a bit of a cocktail of the Italian language.
I don't mean it egotistically, but I've been given the chance to be in front of people and sing, and I feel that it's part of my job and my duty - especially where I'm from - to speak the language of the people I'm around and speak for them.
Of all of our inventions for mass communication, pictures still speak the most universally understood language.
He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands.
It has to be said that one of the most impressive aspects of the parliament are the brilliant unsung translators, who ensure that whatever language you speak, you are understood.
Once in a while, I have the chance to speak to students. I learn from them as much as they learn from me. It's a great dialogue to create.
To demarcate [words in way that changes the meaning] is simply to speak a different language than everyone else. And I do not accept semantic games like that. [...] We need to use words as they are actually used and understood. We can correct errors and inconsistencies and make distinctions. But we can't try to foist an alien language on people.
All women speak two languages: ?the language of men ?and the language of silent suffering.? Some women speak a third, ?the language of queens.
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
I have a wonderful English-language dialogue coach. All the time I have to speak English, he is with me. It is a double effort, because you have to say the words correctly and then act them.
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