A Quote by bell hooks

Often their rage erupts because they believe that all ways of looking that highlight difference subvert the liberal belief in a universal subjectivity (we are all just people) that they think will make racism disappear. They have a deep emotional investment in the myth of sameness even as their actions reflect the primacy of whiteness as a sign informing who they are and how they think.
I think the idea that you're somehow rejecting whiteness if you don't identify yourself as biracial is odd because everybody engages in whiteness. If you live in America, you're doing whiteness all the time, even if you have no white people in your family.
The nature of my work is my subjectivity meshed with other people's subjectivity. So there's a correspondence with that... Even if you write about me, it will reflect on you; everything is a kind of weird collaboration.
I just don't think there's that many people who think it's wrong to have control on our borders. That's not racism. It's not racism to question some of the political correctness today that's going on, to recognize that things are going as well as - for American workers, as they'd like, because people, their frustration is arising from a deep sense of unease that Washington is fiddling while their house is burning.
I always have difficulty with the Greek tragic plays. I think the difficulty one has - which is a serious problem - is the question of belief. Do you believe in the myth that the play expresses? Do you believe in it as myth or as reality? With any play, you have to believe in it as reality. You can't act a myth.
There is no difference between alternative and traditional club comedy. People think there's a difference, but I don't think so. It's like gay men versus straight men. There's no difference. They both like sucking penises. But truth be told, I don't even believe alternative comedy is a real thing anymore. I think at this point, it's just a buzz word to make things seem cool and different and hip.
I personally do not believe in strident activism. I do not believe in moral outrage, because even moral outrage is rage, and rage is rage - it adds to more rage in the collective consciousness, if we understand how consciousness works.
I don't think people in America understand race, and how deep the hooks of whiteness there are in our consciousness.
People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way.
When liberal whites fail to understand how they can and/or do embody white supremacist values and beliefs even though they may not embrace racism as prejudice or domination (especially domination that involves coercive control), they cannot recognize the ways their actions support and affirm the very structure of racist domination and oppression that they wish to see eradicated.
Here is a myth for you if myths are your pleasure: "There is no more opportunity in this world." Most people held this false belief fifty years ago, the majority agreed with it five years ago, and practically everyone clings to it today. Clearly, this myth will also be the screaming rage in the future. Hang on to this myth, and you are destined to miss great opportunities for the rest of your life.
Perhaps the thought of going to hell doesn't alarm you, because you don't believe in it. That may be your belief, but if hell exists, your lack of belief won't make it go away. Standing on a freeway and saying, "I don't believe in trucks" won't make the 18-wheeler disappear.
I think personal actions definitely matter. I think collectively they can make a big difference. But I also think that people don't live in a vacuum.
I think the Christ-myth stories make great stories, whether it's 'The Matrix' or 'Braveheart,' they all are tapping into some kind of deep myth in our DNA, and by myth I don't necessarily mean false.
A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry.
People come to a company like Abbott sometimes and think, Its so big, I cant make a difference. I think just the opposite. I think everybody can make a difference.
I think some people feel that if you question the reality of race, you're questioning racism; you're saying racism isn't real. Racism is real because people actually believe race is real. We'd have to really let go of the 500-year-old idea of race as a worldview in order to undo racism.
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