A Quote by Quincy Jones

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.
That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.
I kick off every monthly team meeting with 'core value stories' - team members stand up and recognize how another team member exemplified a core value.
One of my favorite albums of all time is Michael Jackson's "Thriller". Every song is superbly written, performed, and produced. He is a great loss to the music world. There will never be another one like him.
Louis Tomlinson, who is a member of One Direction, his mum was a chaperone on 'Fat Friends.' So Louis used to come to the set with his mum, and since I was the only sort of young person around, we would kick a football around, things like that.
If the world is ever conquered for our Lord, it is not by ministers, nor by office-bearers, nor by the great, and noble and mighty, but by every member of Christ's body being a working member; doing his work; filling his own sphere; holding his own post; and saying to Jesus, "Lord, what wilt Thou have me to do?"
Once your body is in workout-mode, a few days off won't hurt. Muscle memory is magical. If you work out consistently, you can afford to miss a few sessions and your body will gladly pick up where you left off.
When I was three years old, one of the first albums I ever heard was Michael Jackson's 'Off the Wall.'
Between the Dinosaur Jr. albums and his recent solo albums, 'Several Shades of Why' and 'Heavy Blanket,' J Mascis is emerging as one of the last men from all that '80s indie madness, still writing songs that you want to listen to over and over.
If you look at the whole time I was in the band, I only did, like, three solo albums - two, really. 'Out Of The Cradle,' I had already left because we'd done 'Tango In The Night,' and it was sort of the logical extension of crazy in terms of everyone getting ready to hit the wall with their habits.
That the Dream Team played against each other every day. The greatest games ever were the practice games they played. Everybody was talking smack. It wasn't Michael the only one talking. Magic Johnson was really good, too.
I used to tease Joe Louis by reminding him that I was the greatest of all time. But Joe Louis was the greatest heavyweight fighter ever.
Now in my view, if you were to line up the Presidents in the order of who made the greatest accomplishments, you'd put Lyndon Johnson in that arena with both Roosevelts probably, and [Abraham] Lincoln and so on. But the idea that Lyndon Johnson was operating as a free agent and coming up with these ideas on his own is nonsense.
I had, in college, a professor called Walter Jackson Bate, and he taught a course called The Age of Johnson. It's about Samuel Johnson and his period, 18th-century British writing. So we all got to endure Samuel Johnson, and Boswell's 'Life of Johnson' is now my favorite book. I read it all the time I can; it's great for going to sleep.
Bass players and drummers are like brothers, working in the basement, cooking up the groove. If they don't lock together with the feel, the ensemble will suck.
There were a number of false starts where I was trying to make solo albums. They would get constantly folded into group efforts. In retrospect, I can say fair enough, that you call yourself a band member, and you've got to step up to the plate when the need arises.
I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.
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