A Quote by Cuco
I'm the only child of immigrant parents, you know? So all the pressure is just kind of on me: You have to make it. And I was like, 'Well, let me make it in music.' They were like, 'Nah, you gotta go to school.'
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I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
My parents even let me switch schools, to leave my regular school to go to the producer's school, because I told them producing is what I love to do, and it makes me happy to share my music and my passion with others. I was dreaming to go to that school. I begged them. They were like, 'Yah, know what? If you are happy, we are happy.'
I guess, for me, I've always thought that there was humor everywhere. And as a kid, I just, you know, I grew up an only child, and I - sort of nothing made me happier than to make my parents laugh. I remember I had costumes and things laying around the house that I was, you know, anything that I could do to make my parents laugh.
My parents never pushed me towards music. I feel like, growing up in a musical household and always being surrounded by it, I was always kind of a performer child. I remember my parents would have guests over, and they would bring their kids, and I would make sure that we were ready to put a show on.
You know good and well that you don't want a problem like that, you gon' make someone around me catch a body like that. Ohhh, don't do it! Please don't do it. Cause one of us goes in and we all go through it. And Drizzy got the money, so Drizzy gonna pay it. Those my brothers, I aint even gotta say it, that's just something they know
Both of my parents are teachers. One is in the Waldorf school system in Louisville, Ky., and the other runs a music school. I grew up with loving, supportive, encouraging parents that let me make my own world, and I wish that for every single child.
Kids will tell me 'oh I want to be like you when I grow up,' you know. I just thought 'nah, don't be like me, be like you,' because first of all they don't really know me but second of all I understand what they're trying to say but I just let them know - be like you.
People make it seem like I'm trying to get hurt, you know what I'm saying? I'm not here, like: 'Oh, hit me in the head on this play!' Nah, it just happens.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
It's not like since I make comics I only read comics and since I make movies I will only go out and watch movies. Any kind of artistic expression interests me; it goes from literature to music to sculpture, painting; whatever is extremely inspiring for me becomes a reference also for me.
Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.
You gotta understand, there are two different kinds of Asians - the kind who are good at school, obey their parents, go to college - that kind of stuff. And then you have my family - me, my brother, all of my cousins - we're just wretched people.
The kind of influence you want is a much deeper influence. It's like empowerment. Things are like this, but what if they were like that? What happens if you turn everything inside out? It's something that not just artists do. I think scientists do that, too. There's a theory: What if we pour water on it? That's also what a child does. If a child came in now, the child would ignore us, go under the table, and make a house.
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
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