A Quote by Kurt Vile

Finger-picking, in general, is a hypnotic thing. I feel like I'm more A.D.D. all the time, so the music has to be hypnotic. — © Kurt Vile
Finger-picking, in general, is a hypnotic thing. I feel like I'm more A.D.D. all the time, so the music has to be hypnotic.
With 'Innerspeaker' I was trying to do these hypnotic '60s grooves, but it was so hypnotic and repetitive that they sounded like they were sampled. It was making electronic sampled music but using real instruments to do it.
So to me, what the drugs and addiction are saying is that I deserve to feel good, I'm allowed to take this because look how I was treated as a child. Our authority figures, particularly our parents are hypnotic. Their words are hypnotic literally to small children because of brain wave patterns.
The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
What playing solo has reminded me is how much I love electronic music and how much I love dance music. I'd like to move towards something more hypnotic and rhythmic rather than song-based.
For me, there is a strong hypnotic power in noise-music, and that's something I don't want to leave out of my music anymore.
I love exploring the hypnotic elements of music, and because of that there are very long tracks on 'Immunity.'
I actually really liked the music to the 'Friday the 13th' Nintendo game. I still listen to it all the time. I sampled it in a couple records, too. It's hypnotic and dark but also really pretty.
You can feel how much money goes into commercials by how swiftly they act on your mind. And they've got, like, a hypnotic quality to the way they present their products.
I feel like it's such an exercise in, like, several things to read a ton of 'Cosmo's or 'Glamour's or whatever, all at once. Because you start realizing how they're just talking about nothing for many pages, and they sort of lull you into this hypnotic state.
I know a lot of people don't listen to music when they're writing because it distracts them, but for me it's almost a way to get into the self-hypnotic state that I need to be in to write.
Doom hits the same frequencies that polytonic Buddhist chanting does, which is very hypnotic and makes time relative when listening.
It is curious how, from time immemorial, man seems to have associated the idea of evil with beauty, shrunk from it with a sort of ghostly fear, while, at the same time drawn to it by force of its hypnotic attraction.
There seems to be a hypnotic quality to ambition and speed, so that you feel that you are standing still just because you want to go so fast. You might actually be getting close to your goal.
I want people to look at themselves. I want people to go into a space for meditation. It's funny to use a word like meditation as the music is fairly brutal but there is a hypnotic element to it and the way that I try and create that for someone just happens to be through a fairly heavy form of music. You are constantly barraged and beaten down with a lot of bullshit and I find that heavy and extreme music helps me to go into a very tranquil place and I hope, more than anything, that the music does create a space for people to go inward with.
Show me your sun. The rhythm of your eyes. Love is not as certain as this hypnotic time.
There’s just something hypnotic about maps.
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