A Quote by Kurt Vonnegut

Most writers are not quick-witted when they talk. Novelists, in particular, drag themselves around in society like gut-shot bears. — © Kurt Vonnegut
Most writers are not quick-witted when they talk. Novelists, in particular, drag themselves around in society like gut-shot bears.
Personally, I like drag that's a little rough around the edges, drag you can run around in it, drag you can get in the Uber without worrying about!
Novelists in particular love to rhapsodize about the glory of the solitary mind; this is natural, because their job requires them to sit in a room by themselves for years on end. But for most of the rest of us, we think and remember socially.
Great novelists are philosopher novelists - that is, the contrary of thesis-writers.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
What I love so much about drag is that it has politics at its very core; drag performers aren't afraid to talk about politics in our community and the changes we need to see systemically in society.
Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands.
There are some amazing people around who can tell stories about drag from the '60s and in New York, like the amazing club kid drag. About drag from around the world. So people should be asking questions and listening to stories.
I'm definitely quick-witted, and I can hang with the guys.
Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
A society without firearms is, in the end, a society of dim-witted, collectivist bean farmers.
most of our social and educational institutions are designed to weed out or make over people ... until we produce a world where everyone is a smart, quick-witted, aggressive person living on the surface of the mind without ever looking into the depths.
The one thing I was really good at was being spontaneous. I was quick-witted. I lost that with my stroke.
Gardeners (or just plain simple writers who write about the garden) always have something they like intensely and in particular, right at the moment you engage them in the reality of the borders they cultivate, the space in the garden they occupy at any moment, they like in particular this, or they like in particular that.
This site uses cookies to ensure you get the best experience. More info...
Got it!