A Quote by Kurt Schwitters

My name is Kurt Schwitters... I am an artist and I nail my pictures together. — © Kurt Schwitters
My name is Kurt Schwitters... I am an artist and I nail my pictures together.
My name is Schwitters, Kurt Schwitters... I'm a painter and I nail my pictures... I'd like to be accepted into the Dada Club
When I do a film that has nothing to do with Kurt Weill, then I am happy, I am on my own. But in a Kurt Weill work I am as nervous as a cat. A burden falls on my shoulders. I feel a crushing responsibility.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
I didn't really know Kurt that well, but there was a guy I always admired. We didn't spend much time together, but the few times we did spend together, you know, were times I'll always remember. You know, he was a really sweet guy, and a really genuine soul, you know, and an incredibly talented artist.
I think Kurt Sutter's different as a creator for different people. My experience of Kurt Sutter has always been a really professional, lovely one. I like Kurt Sutter very much.
One thing about Kurt [Cobain] is before he was a musician, and before he was a rock star, he was an artist, and an artist with a capital A. What that means is that he had to create. It wasn't something that he chose to do - it chose him.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
Early in school, they called me 'the artist.' When teachers wanted things painted, they called upon me, they called upon 'the artist.' I am not saying that I learned my name, animals can learn their names, I am saying that they learned it.
My mother used to paper pictures from movie magazines on the wall of her bedroom. When I was born, she looked at those pictures to decide on a name for me. Claudette Colbert's picture was up there and so was Loretta Young's. She decided Loretta was the prettiest name, so I was named after her.
It is only by loving nature, and going to her for everything, that good work can be done; but then we must look to her for the materials for pictures, not for pictures themselves. It is nature filtered through the mind and fingers of the artist that produces art, and the quality of the pictures depends on the fineness of that filter.
I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.
I use pure acetone Nail Polish Remover from Nails Inc. to really strip the nail. It's actually important to dehydrate your nail a little bit to get rid of all of the oil before you put color on; then the color will really stick. Then, I use OPI Bond Aid. It's a liquid dehydrator that you paint onto each nail.
Mahar-jji used to say 'wherever the Satsang gets together, I am there', kind of echoing Jesus' statement: wherever two or more of you get together in my name, I am there. So Maharaj-ji was a universal part of the spirit in that way. He's always with me, here. He's with whoever is with him. Not only just me.
Kurt Cobain represents a very legit, realistic outlook. Before that, in my head, to be a white artist was to be privileged.
I hope for quick, fluent copy and memorable pictures. The words would not 'describe' the pictures; the pictures would not 'illustrate' the words. Together, they would carry a stamp and tell a story.
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