A Quote by Carice van Houten
I personally don't like to rehearse so much. I really trust my instincts. I like to talk and talk and talk until we have to do it. I feel the same about theater.
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Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
Every performer I talk to will, with different words, talk about the sanctity of a good standup show, how it can really feel spiritual. When everybody is laughing, fixed on the same thing, you feel like you transcend yourself.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
I'm a good old Yorkshire girl in that I don't like to talk about things that are on tick. As my nana always said, 'Until you've bought it, it's not yours,' so until it's signed on the dotted line, I don't like to talk about it.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.
Girls didn't really take much interest in me until I was about 14. But I knew how to talk to them very quickly. What I figured out - that my friends didn't - was you have to talk to women like you're not constantly trying to have sex with them. That seemed to work.
I won't talk to you about my family and you won't talk to me about yours. Family talk is either boring or self-pitying. Or it's Gothic, like a Faulkner novel. Who needs to talk about it? It's enough to live it.
We talk to ourselves incessantly about our world. In fact we maintain our world with our internal talk. And whenever we finish talking to ourselves about ourselves and our world, the world is always as it should be. We renew it, we rekindle it with life, we uphold it with our internal talk. Not only that, but we also choose our paths as we talk to ourselves. Thus we repeat the same choices over and over until the day we die, because we keep on repeating the same internal talk over and over until the day we die. A warrior is aware of this and strives to stop his internal talk.
i have never had anybody talk to me like this. this is not a flirty sixth-grade phone call or bantering with friends or words passed in a note. i feel that if my soul could talk it would talk like this.
Well, I don't want to talk too much about my children, but a friend of one of my children, something really terrible happened to her. I just felt like I had to speak about growing up again, because I felt that there's no way I can talk about difficulties of life. I had to talk about possibilities.
Acting is like sex: you either do it and don't talk about it, or you talk about it and don't do it. That's why I'm always suspicious of people who talk too much about either.
Some directors hand over portions of their movie to their head of department to the point where it's like, "I'm not going to talk to you about the costumes, but I'm going to let you talk to the expert." Rather than, "You want to talk stitching, let's talk stitching. You want to talk grade of leather? Let's."
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
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