A Quote by Carol Guzy

When I'm photographing, I think - like any rescue worker who deals with tragedy - you have to have some protective barrier around your heart so you can do your job. You tend to have a delayed reaction to things. I feel things more deeply after I put the camera down.
For this the Gospel offers us a serene way forward: using the three languages of the mind, heart and hands - and to use them in harmony. What you think, you must feel and put into effect. Your information comes down to your heart and you put it into practice. Harmoniously. What you think, you feel, and you do. Feel what you think and feel what you do. Do what you think and what you feel. The three languagesTo think. To feel. To do. And all in harmony.
Put down your cell phones, put everything away, and feel your blood pulsing in you, feel your creative impulse, feel your own spirit, your heart, your mind. Feel the joy of being alive and free.
I think people who are artists, actors, singers, great songwriters, they tend to have a hyper state of emotion where they feel things very, very deeply, probably more deeply than the average person walking down the street where it may affect them, but not to the same extent.
Put your idol worship on firemen or a schoolteacher or a rescue worker or a first-aid worker or Doctors Without Borders. I love those guys. Those are your heroes.
I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.
You really do think about it institutionally; this is your job, and to some extent you benefit from having a job to do at a moment like this. You have things that you have to make happen. And you don't have time for the emotional reaction that might otherwise occur if somebody was just sitting there watching these events unfold and had no responsibilities.
I definitely don't have a problem doing sex scenes, but I tend to like to do things that initially make me feel a bit nervous. I don't think you can really grow at any job unless you do things that freak you out.
There are no secrets of success. Success is doing the things you know you should do. Success is not doing the things you know you shouldn't do. Success is not limited to any one area of your life. It encompasses all the facets of your relationships: as parent, as wife or husband, as citizen, neighbor, worker and all of the others. Success is not confined to any one part of your personality but is related to the development of all the parts: body, mind, heart and spirit. It is making the most of your total self.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
SIXX: A.M. is a passion project. I think when you do things like that and put your heart into them and do your best and don't necessarily put them on a marketing grid, that's when things turn out the best.
I feel like some of my baby fat is going away, and that's not just physically, it's psychologically. I think that your body is in tune with your mind and your spirituality and your heart. If things are going better, I just think you look better.
I feel like some of my baby fat is going away, and that’s not just physically, it’s psychologically. I think that your body is in tune with your mind and your spirituality and your heart. If things are going better, I just think you look better.
I think that while kids are in college they don't think that fitness and nutrition are really important things. But once they get to the NFL it's a job, and just like any other job you've got to be at your best to a certain point, especially with a job like this. You've got to be fit and you've got to eat the right things.
I've dealt with some tragedy in my life, like losing my brother. That was probably one of the hardest days when I've been tested. But you learn what things are important. You have to prioritize your life with your family, your friends, things you want to accomplish. You've got to get all that stuff in order.
I think the first film you do with your instincts because you haven't learned with another director or you haven't worked on other films, so you tend to do things your own way. I think what I learned the most was to take your time, to try to be less rushed into things and have some distance with what you're doing.
When you are young, it's deeply annoying to be told that certain things are a condition of your youth. There's almost always some condescension in the proposition that your reality, your hopes, your frustrations, are just a condition of your age, that what feels unique to you is a very common thing after all.
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