A Quote by Carol Drinkwater
I wrote my first play when I was nine, it was about Robin Hood, from Maid Marian's point of view. I was a feminist from day one.
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I was proud of 'Robin Hood,' even though critics wrote negative things. But I had to laugh when this big, shaven-headed Hungarian stunt guy first saw me. He said, 'You Jonas? You playing Robin Hood? You need to go to the gym today.' So I thought, 'I'm going to show people.'
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
Maid Marion, who said to Robin Hood, I will not live in a house with a Little John. Never got a dinner!
What I will not do is continue to perpetuate stereotypes. I'm the daughter of a maid; why do I have to also play a maid? My mom was a maid so I didn't have to be a maid.
The more important point, however, is not about what the money does. It's about what has to be done to get the money. The effect of the money might be (democratically) benign. But what is done to secure that money is not necessarily benign. To miss this point is to betray the Robin Hood fallacy: the fact that the loot was distributed justly doesn't excuse the means taken to secure it.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
I wrote my first play when I was nine. It was performed at Hampstead Theatre.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
English football gives other leagues an advantage. There are some traditions you can't change, I realise that. Boxing Day is non-negotiable. But you can't play nine games in December and nine in January. You have to stop at some point.
I'm called a folk singer, and I'm not too sure about that. I went about my life approaching music not from the point of view of a singer, but from the point of view of an actor. That's how I first started to sing.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
'Marvin Gaye' came about my first day in L.A. It was kind of crazy that that's my first song that I wrote and it blew up that much. What's crazy is the next day I wrote 'See You Again,' so that's pretty interesting. I was trying to prove myself as a songwriter.
I wrote my first play at the age of 10, 55 years ago, and I've always found it a fantastic relief to imagine I know what things would be like from the point of view of other individuals and to send out signals from where I actually am not. Playwrights never need to write from the place where they are.
A show that I loved as a kid was 'Maid Marian And Her Merry Men'. It was a really strong female character making fun of the boys, an inversion of gender politics. But it was very funny, too. I always wanted to be one of the village people messing about in the mud and being stinky.
I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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