A Quote by Caroll Spinney
I was suffering a divorce, and I was very unhappy because my children were very young. It hit me when a woman, a fan, was chatting with me. She was pleased to meet Big Bird because her children liked him and liked the show, but she didn't know that my face was streamed with tears.
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An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
Lynda Carter, I think the reason I liked her was because she was so down to earth. Even though she was a big star and she was Miss America, she was very approachable.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
I knew that our time together was almost over, I asked her if she liked sports, she asked me if I liked chess, I asked her if she liked fallen trees, she went home with her father, the center of me followed her, but I was left with the shell of me, I needed to see her again, I couldn't explain my need to myself, and that's why it was such a beautiful need, there's nothing wrong with not understanding yourself.
We went to the same college so I know [Hillary Clinton's] study habits, but when she was first lady of Arkansas, she did a lot of things already for children, and she was head of the Children's Defense Fund, and that's how I first heard her or met her, she was very very involved in really a very important social program to do something about children and women and education.
There are the great people who have grown and loved me, like Katy [Perry] - who started as a fan and told me that one day she hoped I would dress her, and asked for a picture with me at a fan meet and greet. Now she's became one of the world's most important pop stars. I've supported her since the beginning, out of believing in a spark in her and giving her a chance because she was a girl who obviously seemed very passionate about what I am doing.
As she came closer to him she noticed that there was a clean fresh scent of heather and grass and leaves about him, almost as if he were made of them. She liked it very much and when she looked into his funny face with the red cheeks and round blue eyes she forgot that she had felt shy.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
I liked her…I really liked her. I wanted to protect her. I approached her in a gentle, playful manner, because she's so precious and I wanted to hold her in my arms because she's so carefree. She was my treasure.
There were people who would complain about their jobs, and my mother would walk away from that job. I liked that a lot about her. She was a very, very creative woman, and eventually, she stopped working outside the house, and she just had her own customers whom she made clothes for.
Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
Nora leaves her husband, not-as the stupid critic would have it-because she is tired of her responsibilities or feels the need of woman's rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be anything more humiliating, more degrading than a life-long proximity between two strangers? No need for the woman to know anything of the man, save his income. As to the knowledge of the woman-what is there to know except that she has a pleasing appearance?
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