A Quote by Caroline Lawrence
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
Related Quotes
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a friend, a bystander, a genie, for God’s sake, any sentient creature with whom your main character can converse, perhaps argue or, better yet, engage in some action. If a person is out and doing, it’s more likely that something interesting might happen to her or him. Shut up in a room with only his thoughts for company well, that way lies fictional disaster.
In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
I don't think there is a fictional character who resembles me because fictional characters are not real!
It was a tricky part to play, because Herriot is both a fictional character and a real person.
Real religion is about, developing real character; character of compassion, character of humility, the character of determination to grow in all circumstances.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
When I create a character, I do it with the directors, and I take their notes and try to have my notes meet in a common ground. I don't create characters myself, and I don't really think that's my job. I'm not a prep person at all - plus, I'm just a lazy procrastinator.
When you play a real person, you feel a sense of responsibility that obviously you don't feel when you're playing a fictional character.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
When you're on screen with Mads, there's some real fireworks because your character is his intellectual equal. In a way, maybe your character has an instinct as to who this man really is.
And it interferes with your ability to be a good actress if you're constantly aware of yourself as a person. To me, it isn't valuable to think about how I'm coming off all the time if I'm trying to create a character, because that's a process that I love. It's like falling in love and surrendering to another person or a character.
Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world.
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