A Quote by Caroline Myss

You are in the depths of despair because you locked in on something or someone that didn't belong to you. I've met many people who have lost everything, especially in these times. People who survive devastating loss have the ability to let go of what they were doing, how much they were earning, and what they feel they are entitled to right now. They may well return to their former status, but their immediate task is to assess their skills and show resilience moving forward.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" I've never been in the depths of despair, so I can't say," responded Marilla. Weren't you? Well, did you ever try to IMAGINE you were in the depths of despair?" No, I didn't." Then I don't think you can understand what it's like. It's very uncomfortable a feeling indeed.
I don't really talk about this because it seems indulgent, but I lost my hair, I'm bald, I had alopecia in my teens. That was back in the late '80s, well before people shaved their heads. So it's probably one of the reasons why I have been obsessed with that age, because it's locked in time where I feel like I had this personal loss that so affected my vanity, and I don't really feel like I handled it well. I'm so much older now, so it's not a big deal, but when I think back at it, I can conjure up how I felt then.
What you need to know to direct a movie is [of] such great variety. I've worked with people who were maestros, who know everything. I've worked with people who were empty and lost, who had no clue what they were doing. You wouldn't hire them to paint your apartment. And then there's everything in-between. There's no list of skills you have to have to sit in that chair.
What inspired me most was the resilience of the Cambodian people. The country is still living with the trauma of the brutal Khmer Rouge regime. People lost everything - family, friends. The rich culture of Cambodia was nearly extinguished. They are a nation of survivors. And while poverty and infant mortality affect a disproportionate amount of the people there, those I met were hopeful for the future and doing the best they can with what they had.
Liverpool really ever since I can remember, but anyway in the '50s and '60s was always a place where people were potentially in show business, knew someone who was, would like to be, had been but were now doing something else and there was a general recreational feeling in the air at all times.
We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.
So many times, people want you to stay the way you were, be as you were before because they want to encapsulate you in a time so they can remember their youth. But you're here to continually push forward and move forward. That's where I'm at - I just want to always surprise people.
Ideally you do want people to treat you professionally in return, but not everyone necessarily does that. This acting job - it pays very well and you get to live a wonderful lifestyle, but it's something that I love doing, so I want to work with other people who enjoy it as well ... Maybe if I met the Queen I'd be nervous, though I'd probably be more nervous about doing things the right way because it's a very formal occasion.
Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.
If someone's in tears or they're leaving the show, it's hard not being able to physically reach out. But Strictly' is such a celebratory, feel-good show, full of warmth and sparkle and joy, I felt lucky to be a part of something that people were appreciating on a whole other level because they were stuck at home.
If someone says something hurtful to you or makes you feel down on yourself, then you just gotta stay positive and keep moving forward because they might not know much about you, or they may not understand the situation.
How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone?
Unlike some people who have experienced the loss of an animal, I did not believe, even for a moment, that I would never get another. I did know full well that there were just too many animals out there in need of homes for me to take what I have always regarded as the self-indulgent road of saying the heartbreak of the loss of an animal was too much ever to want to go through with it again. To me, such an admission brought up the far more powerful admission that all the wonderful times you had with your animal were not worth the unhappiness at the end.
In refugee camps around the world, I met people who were gone. They were still walking around but had lost so much that they were unable to claim any sort of identity. Others I met found who they truly were, and they generally found it through service to others. They became teachers when there was no school, books or pencils.
Because many people deny the Palestinian struggle. They deny them everything. They deny them humanity, they deny them the right to be on the land they were born in. They deny them the right to return to the homes that were stolen from them, to build Israel.
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