A Quote by Carolyn See

Very much as men project weird fantasies on women, the people in New York project weird fantasies on California. — © Carolyn See
Very much as men project weird fantasies on women, the people in New York project weird fantasies on California.
The thought was, 'We're going to go to California, where the soil is black and ten feet deep, and there are no rocks, and there's gold in the hills.' The West becomes the surface onto which people project their fantasies, where once the future had been the place they projected their fantasies. So it's not just the war that ends the utopian communities, but what follows.
I'm a bit of an abstract figure that people can project their fantasies on; it's pretty much what we all are, otherwise we wouldn't be stars, and people wouldn't be interested. But people project things on you that have nothing to do with what you really are, or they see a little something and then exaggerate it. And you can't really control that.
Men project their fantasies onto me; they live them through who they think I am.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
Hollywood is an image. We project these fantasies on to it, but people are just people.
Our sexuality is affected by our fantasies. Some of these fantasies have their roots in our childhood. We have the power to control our thoughts but many people don't do it because they get pleasure in their fantasies.
People project their own dreams, fantasies, and prejudices onto my life. So people are either fans, or jealous, or disagree. Everybody marches to a different drummer.
When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.
I like to get into a lot of things besides movies. I've been very involved with a few specific efforts. We built this park in New York and it's been a very successful project... I worked on a conservation project in East Africa... Too much of this type of stuff can get you wrapped up in your own work and I love it.
When Maryam Babangida and Mariam Abacha built the Women Centre and the National Hospital they did not carry the buildings when they left government. I will not go with the peace mission building. Women should resist being used to kick against the project. If the project was for men the budget for the project would have long been passed.
I have a lot of fantasies about being tied up and spanked. I suppose it isn't very liberated, is it? What kind of fantasies do feminists have?
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
At the end of a project I get very weird, you know, in my head because I'm not doing it. It's like an addiction. I have to do it.
I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
Sometimes I get gigs in weird, artsy places because weird, artsy people embraced my public-access show, which I could only have done in the way I did in New York.
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