A Quote by Carrie Brownstein
Nothing is as nice as plugging in your guitar and turning up the volume really loud, just seeing what kind of beautiful noise you can make with it.
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I play guitar because I like to make loud noises. And the guitar is the coolest way to make a loud noise.
Volume in your hair is sexy, and it doesn't necessarily have to be that Brigitte Bardot kind of volume - it's just that nice texture up top that gives it some life and body to it.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
I would say that my ability doesn't' have an off switch but instead is more of a volume dial. When going about everyday life I try and switch that noise to becoming background noise, but have taught myself when to turn the volume up, such as in readings.
I do some solo, acoustic stuff, but I also like plugging in my electric guitar and playing loud with a band.
I'm not a grunter, I'm relatively quiet. There's a little bit of breathing out. Some people get really loud! There's a little bit of psyching up sometimes, if you're going for a really heavy weight you might make a little noise, but when lifting, I try and keep it quite quiet - I'm not a fan of male noise in that way to be totally honest. I think when girls do it it's not as bad, but when guys do it it's just like, 'Come on mate, hold it in!'.
You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
You often hear when you talk to guys in our industry, that this is my personality, I just turn the volume up, but over the years, I've really become me. No volume turned up, no nothing. I've been able to go out there and just be myself. It's through solid performance after solid performance that people just take you for who you are.
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
There may be something good in silence. It's a brand new thing. You can hear the funniest little discussions, if you keep turning the volume down. Shut yourself up, and listen out loud.
When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
I use the volume control on my guitar, both for dynamics and as a manual noise gate.
Everybody I knew who was really ambitious and kind of annoying wanted to move to New York. I like it here but that has nothing to do with the fantasy image that goes along with it. You have so many people complaining, "It's not how it used to be." If you look for specific things and you don't find them anymore, that's disappointing. But that's just your disappointment, it has nothing to do with the city. I think it's a nice place-harsh at times, and so on, but beautiful nonetheless.
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
But you have to give your whole life to a cello. When I realized that, I went back to the guitar and just turned the volume up a bit louder.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
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