A Quote by Carrie Preston
I played the ingenue, of course, when I was young - but even with those, I tried to make interesting choices and mess them up a little bit - make them layered and complicated and not all stereotypes.
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You meet people, and you're like, 'I don't know how I feel about you,' and someone does something surprising that changes your mind. We're interesting creatures; we're nuanced, complicated and layered, and we make all sorts of choices.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
I look for interesting titles that are curious and make people think. A lot of people are always so caught up in their lives. But if I make them smile through my titles or provoke them a little bit then maybe they will think about things and read the book and take something away from it.
The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.
To me, one of the most profound questions we can ask is: "So what?" And so what if there's an indefinite number of worlds with alternate "us-es" in them? The "so what," to me, comes alive when I ask myself: "What if I could find a way to get in touch with those alternate mes who made those choices?" That is, persons who, if I saw them now, I wouldn't even recognize because their choices, once small, have multiplied to make them such different people.
I always tried not to be too mean, but my problem is that the people I tend to find hilarious don't usually have senses of humor. So interacting with them is a little bit of an awkward engagement, because I can't really make them laugh, on top of which I've been doing an impression of them.
You make decisions and choices, and you're never going to know if they're the ideal choices, but you make them and you make the most of them.
So here's my advice: Study broadly and without fear. Learn a language if you can, because that will make your life more interesting. Read a little bit every day. But more importantly, surround yourself with people who you like and make cool stuff with them. In the end, what you do isn't going to be nearly as interesting or important as who you do it with.
They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.
There are so many rules in Judaism, and if you get into them and you get obsessed and you have the kind of life that I have, it can make you a very unhappy person. It can make everything complicated and more stressful than it needs to be, so I kind of loosened the knots a little bit.
I was never the ingenue, so hopefully that'll make it easier to age and still work. I know a lot of actors who are really dissatisfied with where they're at even though some of them are huge stars and I feel like, 'Oh, my God, you're at the top.' Something interesting will come. It always does. I have faith.
I love when there's an obstacle to overcome, even for the audience to actually empathize with that character. I find that interesting, and then, how to work around that and make them relatable. That's something that you have to dig into the moments and into the performances and see how to play those situations that make them relatable.
When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
My dogs can't do anything--and what a relief. I don't make any demands of them, and I don't try to shape them or their future. For the most part, I trust them to make the right choices for themselves. I always look forward to seeing them, and I love just watching them sleep. What a great relationship.
When I was little, the world was simple. But as a young adult, I'm learning that as we have to make choices - education, career, lifestyle - life gets more and more complicated.
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