A Quote by Carrie Preston

If there's one thing that I know how to do, it's talk to actors. From what I have experienced working with so many different directors in so many different things, a lot of them don't really know how to talk to us.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
I think, one thing that I've really come to appreciate about my parents as I've got older is you know, how wise they really were. As a kid when I was growing up, as any kid, you think you know every thing and I was no different to that. I had different opinions on a lot of different things then them but the way they raised me, in hindsight, they were right.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
I'm lucky that I've worked with so many different directors with very different styles and with a lot of different actors.
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
My acting experience has been a benefit. What I learned from directors is how to listen to and talk with actors. I know how they think and what they need.
Killing Eve' was kind of the road for me as an art person, where you have this opportunity to work with so many different writers, so many different directors, and so many actors at the same time.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
The majority of directors I've worked with didn't know how to talk to actors.
As a Japanese actor, I really want to work with a lot of actors and actresses in the world and many directors who have many different kinds of talents. I feel like nationally doesn't matter at all.
Well you know, I think a lot of us in marriage know that you play different roles at different times. And Mitt can get very intense, and I can have the ability to kind of talk him off the rails sometimes and say, 'Hey let's look at what is really important and let's do that now.'
He reflected. 'I know a lot of different kids of people; what I want is to show each of them how the others really are. You hear so many lies!
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.
The best thing wrestling ever taught me was how to network with people, how to talk to people, how to deal with a lot of different kinds of people in different situations and being a good guy and a bad guy teaches you how to be able to have a thick skin.
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