A Quote by Carrie-Anne Moss
When I work, obviously the material is the first and most important thing. Then the director and who I'll be working with. And then the location comes into it. Where is it shooting? Because I have a family that has to uproot to do that with me.
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I didn't even think about it when I read the script and then shooting their movie and someone was like "boy, press is going to be fun". And I didn't really know what they were talking about because to me it's just a film shows it as an extremely viable option which is obviously the most important thing for young individuals.
As a director, obviously you should challenge yourself. It's important, because it's this thing that takes you away from your family for years. You have to really love the thing you're doing. It's very important.
My professional success is really important to me, and my career is really important to me. It's the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that's really important to me too.
If you live in a material universe where acquiring things is very important to you, then family is an absolute deterrent to maintaining that sort of a world, because family involves values like affection, and sympathy, and passion, and types of pleasure that lead nowhere in a material sense.
I think context, location matters a lot. Because location obviously in my situation, it's the space in which the work is going to be exhibited. And since some of the work I do is created onsite, it requires a different type of space, versus the smaller drawings or more subject-oriented work. So that the context becomes important.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
Write down the most important things you have to do tomorrow. Now, number them in the order of their true importance. The first thing tomorrow morning, start working on an item Number 1, and stay with it until completed. Then take item Number 2 the same way. Then Number 3, and so on. Don't worry if you don't complete everything on the schedule. At least you will have completed the most important projects before getting to the less important ones.
Not really a first thing I will buy, but the first thing I would do is take care of my mother and my family and then go from there. Whatever she needs. Not so much a house or car or material things, just making sure everything is taken care of from a family standpoint.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
It doesn't matter who's directing, or who's doing the movie; there are a ton of things that can go wrong, and they do all the time. So you just have to figure out how to get through it, and then how the director finally puts it together, and then see what the audience takes from it. That's the most important thing to me.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
I learn my lines in a few different ways. A lot of my dialogue sticks with me in a general sort of way when I read the entire script for the first or second time. Then, when I get the shooting schedule, I have a better idea of what scenes are shooting when. I then will focus on those that are coming up first.
Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.
I judge my film choices based on the director, and then I see how much the story has affected me when I read it or when I hear it in the narration. Then comes how important my role is in it, but primarily director, script, and then role.
The most important thing for me is the work, my job, and then to go to my house to be satisfied with my work.
I've discovered that the standard all-American dream of fame and fortune is not success for me. Success for me is simply the joy of working - doing good work - and then bringing that joy home to my family. But if what I do in my work doesn't enrich my life with my family, I'm doing the wrong thing.
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